Realism And Artistic Conception

As a famous scenic spot in China,Wudang Mountains began to build buildings here as early as the Tang dynasty,and the rulers of the Ming dynasty used it as a royal dojo to build large-scale buildings in Wudang Mountains,the importance of Wudang Mountains reached its zenith during this period.Due to the attention of the rulers of the Ming dynasty,the construction of the architectural complex in Wudang Mountains followed the principle of "advocating nature",and the construction process did not destroy the original natural landscape excessively,its human landscape and natural landscape complement each other and complement each other,and today’s society advocated the principle of "sustainable development" fit.That’s why I chose Wudang Mountains as my subject for my graduation."Wudang Zi Xiao Gong ji Xue tu" and "Wudang nan Yan Ji Xue Tu" by Ming dynasty painter Xie Shichen are landscape paintings based on Wudang Mountains,it is also the only two Chinese landscape paintings on the subject of the magnificent scenery of Wudang Mountains that have been published and can be verified.They are of great learning significance and research value to the creation of Chinese landscape paintings on the same subject.This paper deals with the reasons for the creation,the forms of expression and the aesthetics of Xie Shichen s Wudang Zixiao Gong Ji Xue Tu and Wudang Nanyan Ji Xue Tu,based on the analysis and research of the painting creation of Wudang Mountains,this paper explores the two basic principles of realism and artistic conception in Xie Shichen Wudang Mountains’ s works,and their application in personal creation.In the first chapter,the author tries to analyze the reasons for the creation of Xie Shichen’s works in Wudang Mountains and the author’s works in the land of illusion.Looking at the differences in Wudang Mountains from the perspectives of Xie Shichen and the author,and comparing the realistic landscape of Wudang Mountains with the famous ancient landscape paintings,this paper analyzes the aesthetic interest of Wudang Mountains landscape in Chinese landscape painting composition.The second chapter mainly analyzes Xie Shichen’s creation method of Wudang Mountains landscape.Starting with Xie Shichen himself,this paper gives a brief account of Xie Shichen’s life and his predecessors’ comments on Xie shichen’s paintings,with an emphasis on the analysis of his two works,a picture of snow in the Purple Sky Palace of Wudang and a picture of snow in the southern rock of Wudang,the composition,content and technique,and aesthetic taste of the paintings are analyzed in detail,and the Wudang Mountains landscape in Xie Shichen’s paintings is compared with the real landscape in Wudang Mountains,this paper analyzes the realism of Xie Shichen’s works in Wudang Mountains and how to create the artistic conception on the basis of objective images.The third chapter mainly analyzes how the author uses Xie Shichen’s creation method for the Wudang Mountains landscape.Comparing the author’s works with Xie Shichen’s works in Wudang Mountains and the realistic landscape in Wudang Mountains,this paper analyzes the realism and artistic conception of the author from the aspects of composition,painting form and aesthetic taste,and what kind of image manipulation he borrowed from Xie Shichen’s work in Wudang Mountains.