Astudy On The Relationship Between "Chengqing Guan Yin Pu" And The Late Ming Seal Style

During the late Ming Dynasty,carving art has been flourishing.In addition to the appearance of "imitation Han fever",a large number of printing of the score also provides the development of the carved art at the time.When the number is collected,the seal is used as a category.The "Printing of the Chengqing Pavilion" in the Taicang people Zhang Hao was the first time when the carving art was gone since the germination of the art of engraving.Classes Indian-scientific thoughts have important reference value for understanding the overall appearance of engraving art during this period.This article is based on the seal preface and seal works included in the "Seal of Chengqing Pavilion" as the starting point.Based on the analysis of the albuming of the motion,the comparative version,and the testimony of the seal During the dialectical development of seal engraving art under the blend of "Shanggu" and "Seeking",and further considering the important revelation and significance of the "Chengqing Pavilion Seal" and the late Ming Yin style to the development of current engraving art.