With the development of the times and the passage of time,there are various kinds of musicals and many characters portrayed in the plays,and the singing methods of musicals are colorful,such as Mix singing method,Belt singing method,Speech singing method,Character singing method and Legit singing method.Among them,Belt singing method,a solid and powerful voice,is a shouting singing method when the emotion reaches the highest point.The high notes are explosive,penetrating and infectious;Mix singing method is a singing method with the most plasticity,diversity and power.In this paper,the author studiwa the application of the two singing methods in the musical "Tiger Gate Selling Smoke" by Mr.San Bao,and considers the training methods of the singing methods.The "Smoke at the Tiger’s Gate" is based on the world’s classic musical "Les Misérables",which adopts the idea of "big background,small characters",and "Qianniang" is one of the small tragic characters.The author analyzes "Qianniang" from the perspective of song structure,lyric text and the application of singing techniques.The song "Spring Breeze for Ten Miles" uses Mix singing method,which is pure,bright,sweet and with a sense of telling,to express the beautiful love between Qianniang and her husband Ah Zhong,while "Family Pawn" tells the story of Qianniang’s family pawning all the goods in order to exchange for her husband’s opium,using the low and thick low register of Belt singing method and the explosive and infectious high register to cry out the pain in Qianniang’s heart.Finally,based on the above analysis of the author’s vocal principles of Mix singing and Belt singing,and thinking in singing the song,the vocal training of Belt singing and Mix singing is summarized,which helps to better grasp the singing of the two singing methods to achieve the purpose of shaping the complete character image in the play. |