A Study On The Reception Of Liu Zongyuan's Poems In Qing Poetry Talk

As a master of ancient literature in the Tang Dynasty,Liu Zongyuan’s poems gradually entered the critical vision of scholars in the past dynasties after Su Shi discovered his poems,and showed different characteristics of acceptance.The acceptance of Liu poems in the Song,Yuan and Ming dynasties made many achievements,but the whole was unclear.The Qing Dynasty,as a time when academic thoughts were concentrated,became the peak in the history of Liu poetry acceptance.In the debate between the Tang Dynasty and the Song Dynasty,the understanding of Tang poetry was deepened,and the acceptance of Liu poetry was more integrated and systematic.In addition,the number of Qing poetry and selected poems of Tang poetry was the largest in the past dynasties.Therefore,this paper mainly focuses on the Qing poetry and takes Liu poetry as the object of aesthetic acceptance.This paper probes into the reception of Liu’s poems in the Qing Dynasty from the perspective of poetics criticism and anthology collection,and tries to explain the deep reasons behind the reception,such as the background of The Times and the tendency of poetics.In this paper,through the analysis of Liu Zongyuan’s experience,temperament and poetry works,scholars in the Qing Dynasty put forward three views on the inheritance of Liu’s artistic origin: the theory of learning SAO,the theory of learning Tao,and the theory of learning Xie.On the basis of the understanding of the previous generation,the Qing people deepened and carefully discussed the causes behind the origin of Liu poems.Through the research of the Qing people,their interpretation of the origin of Liu poems became deeper and more systematic.In addition,through the analysis and exploration of the recognition of the style of Liu’s poems in Qing poetry,it is known that the Qing people put forward the views of "light","bitter" and "kurtic" in view of the style of Liu’s poems,and summarized their views,which can be divided into three categories: the theory of elegance and light,the theory of lamentation,and the theory of quiet and precipitous and clean.The Qing people also analyzed the causes of Liu’s poetic style and compared it with other poets in order to deepen their understanding of Liu’s poetic style.Through the collection of Liu Zongyuan’s different styles of poems in the anthology of Tang poems in Qing Dynasty and the analysis of different styles in his poems,this paper investigates the acceptance of Liu’s different styles in Qing Dynasty.In this paper,nine representative anthology of Tang poems in Qing Dynasty are selected for analysis.Through statistical analysis,it is concluded that Liu Zongyuan’s five ancient poems are far more popular than other styles of Liu poems.The most widely accepted is a five-master poem--Jiang Xue.From the point of view of poetics criticism,the Qing people’s evaluation of the Five ancient Liu is also the highest,followed by the Lv style,which is closely related to the vigorous development of Qing poetics.In this paper,the understanding of the status of Liu poems in Qing poetry is explored mainly from the arguments and statements of the Qing people on Wei Liu’s debate,Han Liu’s debate and Liu Liu’s debate,as well as the recognition and judgment of the overall status of Liu poems.When evaluating the merits and demerits of Liu Zongyuan and other poets,it reflects the unique poetics thought of Qing people.In the evaluation of the overall status of Liu poetry,the light of body consciousness shines.In the recognition of the status of Liu poetry,to the ancient poetry of decency,the famous field,take Wu Sheng Tang for the overall understanding.This paper not only further summarizes and generalizes the reception of Liu poems in the Qing Dynasty,but also clarifies the poetics thought and aesthetic orientation contained in the reception history of Qing Dynasty,and also explains the status and significance of the reception of Liu poems in the history of Liu poems.