Research On The Design Application Of MG Animation In The Pattern Elements Of Stone Carved Windows In Eastern Zhejiang

Stone carved windows are a classic folk handicraft culture in Zhejiang,as an important functional component and decoration of traditional architecture,the regional characteristics,ethnic culture and folk customs of eastern Zhejiang are reflected in its rich pattern combination changes,and have high artistic aesthetic and historical and cultural value.However,with the impact of modern architecture and industrialization,stone windows and their decorative patterns gradually disappeared,and the traditional handicraft form and the cultural value behind it gradually dissolved.Nowadays,the vigorous development of digital technology has created many digital art forms,which have gradually become an important means to enrich cultural storage media,innovate cultural interpretation and presentation forms,and open up interactive channels for cultural communication.Among them,MG animation plays an active role in improving the legibility and fun of stone carved windows.Based on this,this project takes the animation "Window View" as an example,combines MG animation with the design and application of East Zhejiang stone carved window patterns,and explores the design and application strategies of MG animation art forms in digital art and in the elements of stone carved window patterns in East Zhejiang.There are four main bodies of research in this paper.Firstly,through the analysis of the research status,the research question is clarified as how to use MG animation to better inherit and develop the cultural value in the stone carved windows.Secondly,the concept of MG animation and stone carved windows is explained.The meaning of MG animation was sorted out from the aspects of definition,development,application type and application advantages,and the concept,development value and development dilemma of stone carved window pattern were sorted out.Thirdly,the author summarizes the application strategy of MG animation in the design of stone window patterns from the two aspects of principles and methods,adheres to the design principle of integration from the aspects of shape,color,meaning and hearing,and pays attention to the readaptation of modern cultural ecology,the inductive expression of cultural themes and the creation of immersive cultural atmosphere.Finally,the author takes the stone carved window pattern animation "Window and Scene" in eastern Zhejiang as an example to discuss the application of design strategy in the creation of stone carved window pattern animation in eastern Zhejiang.At present,the research on stone carved window patterns focuses on the image collection of materials,shapes,craftsmanship,and patterns,and the digital art research on patterns is insufficient.From the perspective of MG animation application,the research and application of stone carved window pattern elements in eastern Zhejiang is not only conducive to the innovative inheritance and development of regional cultural elements in the new communication ecology and medium,but also broadens the creative development channels of stone carved window patterns in eastern Zhejiang and enriches relevant theoretical and practical research.