Research On The Graphics Of Guan Zilan Painting

During the Republican period,the Western painting movement stimulated the conscious mission and spiritual motivation of artists to revitalize the Chinese painting scene.As the first batch of painters in Japan,Guan Zilan took the progress of the times as an opportunity,took "graphics" as the starting point,relied on Chinese local culture,and was loyal to her own life experience,which opened up the way for the development of modern Chinese art,and at the same time broke the shackles of traditional painting on people’s thoughts,expressed her creative intentions with a brave posture,so that women’s artistic spirit in a free state could be expressed,thus producing more humane traces of the times.This paper mainly takes the graphics in Guan Zilan’s paintings as the starting point,places her works under the visual knowledge system,focuses on the analysis of the expressiveness and symbolism of painting graphics,and demonstrates Guan Zilan’s artistic thoughts and emotional expression.The text of the article is divided into three chapters.The first chapter provides a brief overview of the concept of graphics and a brief analysis of the functions and values of Chinese and Western painting graphics.The second chapter analyzes and sorts out Guan Zilan’s paintings,and summarizes the graphic characteristics and causes in the works.The last chapter Graphics as an imagery language,when graphics are combined,refined,and summarized to obtain a new look,graphics will also produce many psychological implications.Combined with the analysis of the graphics of Guan Zilan’s works in the context of the times,the real meaning behind the graphics of her works is studied,so that we can have a deeper understanding of Guan Zilan’s artistic charm and achievements.