Research On The Aesthetic Thought Of Sightseeing In Landscape Painting Of Song And Yuan Dynasties

Both "You" and "View" are important categories of classical Chinese aesthetics,and the combination of the two forms "Youguan" is not only the way the ancients perceived landscapes,but also the rich aesthetic ideas contained in them are expressed in all aspects of landscape aesthetics and creative activities.Predecessors have fully recognized the rich connotation of "travel" and have conducted a lot of research,and have produced rich research results.However,most of the research does not start from the perspective of the overall appearance and characteristics of landscape painting in a certain era,but focuses on the analysis of a specific field by using the aesthetic connotation of "Youguan",and the characteristics of the era contained in "Youguan" in landscape painting have not been fully explored.There is a consensus in the field of Chinese painting that traditional Chinese landscape painting reached its peak during the Song and Yuan dynasties,and had a huge impact on the development of modern and contemporary landscape painting.In terms of form,whether it is a courtyard landscape or a literati landscape,it represents the highest level of classical Chinese landscape art.Therefore,the selection of landscape paintings from these two periods for research can make the research results of the aesthetic idea of "wandering" more typical.This paper puts the aesthetic idea of "traveling" in the Song and Yuan Dynasties in the context of traditional culture,and combines the characteristics of the Song and Yuan Dynasties to explore them by means of comparative research,iconographic research,and literature analysis.Firstly,the three concepts of "You","Guan" and "Youguan" are explored,the relationship between the three is sorted out,and the overall appearance of "Youguan" in the traditional cultural background is determined,especially the special nature of the influence of the three philosophical ideas of Confucianism,Buddhism and Taoism in the Song and Yuan Dynasties.Secondly,on the basis of the in-depth understanding of the aesthetic thought of "Youguan",the literary theories of Song and Yuan landscape painting and landscape painting artists are analyzed.Finally,the survival state of "Youguan" in Song and Yuan landscape paintings is summarized,and the similarities and differences in the landscape paintings of the two dynasties are compared,and the cultural continuity of the aesthetic idea of "Youguan" is discussed on this basis.