Research On Jianghe Fu During The Ming And Qing Dynasties

Rivers are an important genre of Fu,and incorporating them into Fu effectively broadens the emotional connotations and textual content of Fu writers,and also enriches the expressive power of Chinese river literature.During the Ming and Qing dynasties,under the continuous transformation and development of Jianghe Fu,its creative techniques,language use,and expression methods had become complete,which marked the formal movement of Jianghe Fu towards the consciousness of aesthetic judgment and the maturity of literary rhetoric.This paper takes the works of River Fu in the Ming and Qing Dynasties as the research object,focusing on the development of River Fu in the Ming and Qing Dynasties,the cultural ecology connotation and stylistic features of the works.This article is divided into three chapters to discuss:Chapter 1: Summarize the development overview of Jianghe Fu before the Ming Dynasty.The imagery of rivers has entered the literary field since the pre Qin period.During the Han,Wei,and Six Dynasties periods,the aesthetic function of river fu was expanded.During the Tang and Song dynasties,river fu nurtured a new form of fu and evolved into a new way of creation.After the development and transformation of the Han,Wei,Six Dynasties,and Tang and Song dynasties,the content and style of Jianghe Fu have been greatly expanded.Chapter 2 summarizes the creative and artistic characteristics of Jianghe Fu during the Ming and Qing dynasties.Since the Ming Dynasty,with the continuous accumulation of relevant creative experience from predecessors,Jianghe Fu has achieved significant development in both aesthetic and social functions.The writing content of the Ming Dynasty’s Jianghe Fu has become increasingly refined and vivid,highlighting the life oriented and emotional aspects,and the use of creative techniques has become more flexible.During the Qing Dynasty,Jianghe Fu not only expressed social functions and played a role in praising poetry,but also emphasized the precise exploration of aesthetic value.Chapter Three discusses the impact of academic development and changes in ideological and cultural values during the Ming and Qing dynasties on the creation of Jianghe Fu.The retro trend of thought led the early Ming Dynasty’s Jianghe Fu to pursue the elegance and elegance of Saoti Fu in style,as well as the elegance and elegance of Han Fu.In terms of technique selection,Jianghe Fu was able to learn ancient methods and techniques without being rigid and full of changes.In the late Ming Dynasty,with the prevalence of humanistic thoughts and the rise of "psychology",Jianghe Fu paid more attention to people’s inner world while describing rivers,forming a strong humanism feeling.During the Qing Dynasty,the establishment of Hanyuan Examination Fu,Guange Selection Fu,and the erudition Hongci Branch greatly expanded the skill and content content of Jianghe Fu,demonstrating a clear naturalistic nature.Excellent academic performance and high talent became the benchmark for Jianghe Fu creation at this time.Similarly,due to the strong infiltration of official ideology,the wind of praising saints in Jianghe Fu has gradually flourished.Under the background of the development of mutual infiltration of literary styles during the Qiandao period,Jianghe Fu absorbed the strengths of various styles,and its writing became more rounded and sophisticated,reaching a state of transformation.Chapter 4 summarizes the four typical image groups of Jianghe Fu during the Ming and Qing dynasties,and explains its inherent cultural significance.River Fu in the Ming and Qing Dynasties has two parallel and mutually supportive space-time dimensions,namely,"physical geography space" and "historical and cultural space".When the author reshaped the literary landscape,the Fu writers did not simply and purely reproduce the geographical space of the Yangtze River,the Yellow River,Dongting Lake,Qiantang River and other river basins.In addition to the common concept of "writing about objects and their appearance,resembling carved paintings",it also includes personalized life consciousness,historical depth,and social observation,infused with a profound social or individual ideology.