| The arguments about the quality,competence and motivation of writers have always been a hot topic of much attention in literary theory,because the quality and motivation of writers in literary creation determine the goodness and respective characteristics of literary works.The Tibetan writings of Mongolian scholars also contain many arguments about the quality,competence,and motivation of writers,and these arguments form a unique Mongolian Tibetan writer’s theory.The purpose of this paper is to reveal the creative theoretical perspectives and theoretical characteristics of Mongolian Tibetan writers’ theories by sorting out the sources of writers’ theories and the historical evolution of the theoretical development,and to explore the important role of these theoretical perspectives in the construction of the theoretical system of Mongolian literature.The paper consists of three parts: introduction,body and conclusion.The main text is divided into three chapters.The introductory part of the thesis proposes the proposition of "MongolianTibetan Writers’ Theory",briefly introduces some research works of ancient Indian scholars and Tibetan and Mongolian scholars on "Writers’ Theory",summarizes the academic research on this theory by contemporary Mongolian and Chinese scholars,and gives an account of the topic selection,significance,research purpose and research method of the thesis.The first chapter explores the meaning,purpose,and methodology of this thesis.The first chapter explores the theoretical sources of Mongolian-Tibetan writer theory,analyzes and compares the theory of "poetology" in ancient India and the history of its germination and development,and the views of "writer theory" in ancient Tibetan literature,and explains their unique theoretical perspectives and their perspectives by the Mongolian scholars who were accepted and transmitted.In the second chapter,we explore the relationship between the Mongolian Tibetan scholars and the Mongolian scholars.Chapter 2 explores and analyzes the viewpoints of Mongolian Tibetan writers’ theory.Through analyzing the writer’s theory ideas contained in the annotated texts and example poems of Poetry Mirror and the theoretical writings of Lectures,Debates and Writings of Songba Canbu Yixi Banjue,Alashan Laranba Awang Danda,Rezinba Awang Tudan,Kanqin Kanbu Jiayang Gabu,Ajia Yongzeng Luosang Dunzhu,Xionglieba Sonan Jiacuo,and Xiangsa Banzhida Gazang Quejijianzan,the representative theorists’ writer’s theory is elucidated.The main points of view of the representative theorists,and the development of Mongolian Tibetan writer theory.Chapter 3 explores the creative theoretical perspectives and characteristics of Mongolian Tibetan writers’ theories.Firstly,it analyzes and discusses the creative theoretical views of Mongolian scholars and scholars on writers,arguing that Mongolian scholars have created a unique system of writer theory,made new explanations of creative subjects,and illustrated writer theory with new examples of poems.Secondly,the theoretical features are explored and summarized in four aspects,namely,focusing on the high quality of writers,attaching importance to the efforts of the authorial subject,emphasizing the content and techniques of writers’ creativity,and paying attention to writers’ creative motives and thinking.Finally,the theoretical value of the Mongolian-Tibetan writer theory in the theory of Mongolian literary creation and even in the system of Mongolian literature is explored.The concluding part of the thesis summarizes its induction of the theoretical achievements obtained from the study of Mongolian-Tibetan writer theory in this paper.Some of the materials in this thesis are not yet available in the translated and utilized,because Mongolian scholars write in Tibetan.Therefore,we follow the traditional method of collecting,organizing and studying the literature by previous scholars,and translate the writings of Mongolian and Tibetan scholars on the idea of writer’s with the principle of "accuracy,expressiveness,and elegance",which reveals the uniqueness of the theoretical viewpoint. |