"Inside" And "Outside" : The Creative Inspiration Of Zhang Ruitu And Fu Shan

"Inside" and "external extension" were originally the exclusive terms used by Yuan Pu to distinguish the pen of the two Kings.Later,Hu Xiaoshi and Shen Yinmo included this scope in all the calligraphy and calligraphers as the dividing criteria of the pen and style.Shen Yinmo also elaborated in detail the progressive relationship of brushwork(brushwork),brushwork potential(knot)and brushwork(Fengshen).The "inside" and Fu Shan "outer extension" discussed in this thesis are the research based on the difference of brushwork.During the Ming and Qing Dynasties,under the formal shackles of Wang calligraphy and the programming of "Taiwan Pavilion style",it forced the calligraphers to seek a breakthrough beyond the development of the objective conditions of paper writing and pen making,the calligraphy works changed from the way of writing and writing,and the different styles of Wen Zhengming,Dong Qichang and Xu Wei provided rich creative ideas for Zhang Ruitu and Fu Shan.Zhang Ruitu wrote the wrist method and Fu Shao wrote the method to form a strong personal style and cause the "inside" and "external extension" to look at the study of the essence of the strong pen in the middle period.Huang Daozhou and Wang Duo are similar to Zhang Ruitu and Fu Shan,but more moderate.Under the two extremes of "inside" and "external extension",the author seeks a more "middle" harmonious way of harmony,hoping to apply it to their own calligraphy creation to find a feasible development direction.