The Practice And Enlightenment Of Qianjia Calligrapher’s Official Script

In the late Ming and early Qing dynasties,it became a fashion to learn Han tablets.Zheng,the pioneer of the study of the Han Stele,took the lead on the Cao Quan Stele,and conducted an in-depth study on the Han scribe scribe,using rhythm and composition as the main purpose of the study,which influenced a number of calligrapher.On the basis of the development of official script in the early Qing Dynasty,under the influence of the development of the academic development of touchstone and characters and the participation of scholars and seal carving,calligraphers greatly broadened their vision of calligraphy: the characters respected the "six books" and paid attention to the development of the style,so that the seal script was paid more attention,which promoted the calligraphers and scholars’ reunderstanding of the Han,Wei and Tang dynasties,and formed the aesthetic interest of "square strength and ancient weakness".Qianjia period learning Li numerous,Guifu,Huang Yi,Deng Shiru and other calligrapher in early practice by the influence of the early Qing Dynasty calligrapher,books have the elegant flying attitude,with the expansion of the scope of the method,in the "Han" on the basis of abandoning the meaning of clever eccentric,stable change,showing a thick calm,square whole simple meaning.The academic circle concluded that Yibingshou’s pursuit of official script interest in the early and middle periods was basically consistent with that of other calligraphers.Based on the study of Yi’s official script works,this thesis finds that he had his own uniqueness in his choice of subjects and his way of writing.In his later period,he devoted himself to the practice of imitating style and transforming it into official script,which also made him surpass the way of "remaining in Han Dynasty" in his later years,and display the spirit of Han Dynasty with simple,concise brushwork and a calm and quiet space.Furthermore,the thesis analyzes the practice of Li script creation during the period of Qianjia.It is concluded that the practice of tablet style,spatial composition,and ancient brushwork of Li calligraphist during this period is characteristic.Moreover,GUI Fu,Huang Yi,Deng Shiru and Yi Bingshou ’s brushwork has entered into the consideration of the development of the style from the stress on the limitation of personal style on Zheng Fu’ s writing in the early Qing Dynasty.This triggered the advance of epigraphy in depth.This thesis focuses on the inner logic of clerical script or tablet study practice in order to nourish its own creative practice.