The Diffluence & Conformation

From 1919 to 1966,the evolution and the formation of the concept of the Chinese Painting of Malaysian Chinese have been tested incessantly. As yet, some scholars and Malaysian Chinese painters raised the question regarding "Does Malaysian Chinese has Chinese Landscape Painting", & "The debate of the difference between the Chinese Painting of Malaysian Chinese and the Chinese Painting in China", these are the themes that cause much tension which springs from a culture, having lots of elements of contradiction and also from the problem of identification in a given political background.This problem of identification is closely related to the idea of trying to make use of its history & cultural meaning. The existing idea goes much beyond the significance of the concept and location.Given the Traditional Chinese Painting, the Chinese Painting, "Nanyang Color", "Nanyang Style", Malayalize to Chinese Painting of Malaysian Chinese, the process of the evolution & formation plays a very important role in the Malaya Chinese's Chinese Painting description of their own history & fate.Since a long time. The Chinese Painting of Malaysia's concept & origin defined by the experts of Chinese Literature of Malaysia has been improving. Hence theproblems increase. This work tries to redefine & rethinking on the basic concept against the background of the origin of the development of the concept. This will provide a strong base both to explain as well as to analyze how to face the exchange of the Chinese Painting of Malaysian Chinese vis-a-vis the Traditional Chinese Painting.