Under The Perspective Of Sociology Of Literature And Art In The Production Of Knowledge

The present literature and art discipline is being in the reconsideration and restructuring linguistic environment, the essence of the increasingly fierce literature and art valid crisis and the words restructuring upsurge concerns its knowledge production. The essential question the science of literature and art faces directly is obviously not "the words", but its social production as humane studies, and its philosophic explanation as "the symbolic form of social being". In light of this, the Chinese literature and art, as a branch of the humanities, needs us to appraise its independent degree after several decades'development, as a kind of symbolic form of social being, needs to present the rationality of its existence and the appearance characteristics under the new social cultural and linguistic environment, as a kind of ideological "production method" of symbol culture, needs to restore its originality in literary spirit after rational reconsideration and its scientific position in the realistic linguistic environment. Meanwhile, in view of the coming apart of "production-dissemination-acceptance" of literature theories, literary criticism, and the university teaching, the down-break between the research main body and the discipline's thinking history, as well as the realistic condition of its role difficulty in social action, we also needs to strengthen our idea approval, that is the literature and art discipline must obtain the sustained development in restructuring, and the literature and art scholars must "move toward the world from self-awareness". Based on this - on the consideration about the social cultural context of discipline development and the intrinsic value orientation, this article proposes that we should consider the question of literature and art knowledge production from sociological perspective. The application of the sociological theory model to the reconsidering studies of the scientific and rational logic in Chinese literature and art knowledge production lies in the new time Chinese literature field and the knowledge field not only have the overall "relation structure" and the intrinsic social dynamics characteristic, also have the native knowledge production tradition and the special culture "trait" characteristic.In the first chapter, the author points out that, in the present linguistic environment of social structure in-depth transform and the culture multiplying, if this discipline wants to break through the development difficulty and obtain new compatibility, it needs to not only have comprehensive "self-examination" to interpret the former preinstalled "determinism" in discipline knowledge, and have the thorough, continuous reconsidering research through combing its own knowledge shape and the words practice, but also needs to use the therapy of "involvement", in view of the source of the discipline crisis-the new time condition of literature and art discipline's knowledge production, with the aid of the reconsideration of sociology, the knowledge sociology, the scientific sociology to provide a brand-new knowledge-cleaning-up view. As a kind of comprehensive knowledge reconsideration approach, its basic value is to analyze the sociological significance of the special knowledge production motion of its mainstream in the historicized and the localized linguistic environment, and to provide new explanations to the causal circulating relationship between this discipline'knowledge system and the production paths. We should, in the depth of the "symbolic form", and the "reviewing practice" of scientific body, to explain and define the discipline knowledge production.The second chapter first elaborates the profound dialectical relations between the new time Chinese literature and art knowledge production and the knowledge form existence. Then, the paper gives an overall view and definition to the new time literature and art discipline'knowledge shape and its knowledge production's logical clue, with the effort to pass the liner narration of "narrating history" and to adopt the "the technical analysis of modern words structure", Viewing "how the new time literature and art transforms and what state it is in" under the new history logic through the analysis of the discipline's system and the words pattern.The third chapter, mainly from the reconsideration of sociology and the multiple theoretical logic of science, knowledge sociology, analyzes the literature and art discipline'knowledge production condition, mainly explains the special knowledge production mechanism and the mainstream intellectual production mechanism in the formation of the historicized and the localized linguistic environment of the new time, to guides us to reconsider and to promulgate the rule of the "collective unconsciousness of researchers" in the discipline independent advancement.Based on this, the fourth chapter proposes that we must profoundly understand and clearly see the contemporary knowledge shape of the literature and art and the overall construction and the law of value in its knowledge production. Through identifying the intrinsic relatedness between the social culture reproduction and the discipline's development, we can confirm the "validity" of Chinese style production and its practical rationality, to provide the new reference for the literature and art breaking through the value difficulty of mark production, for clearing and grasping the sociological characteristic of and for the promoting the future discipline development trend.The concluding part state that through integrating the literature and art knowledge production to the view of sociology, we must reconsider the discipline individuality under the historical linguistic environment at the connecting point of the modernity and the post-modernity. Speaking of the intellectuals as the humanities'symbolic elucidator and the literature consciousness practice's participants, we at present urgently need to break the limitation of "the specialized manner", to return to our mission consciousness, to restore our belief on literature and art, to take "the historical esthetics construction and the reality perceptual writing" as an own duty, to move toward the new boundary in the consciousness practice of the mainstream spirit.This paper complies with "the sociological theory logic", unifies"the general theory proof"and "the concrete experience narration", aims at through an exploration of interdisciplinary research, to highlight the Chinese literature and art's esthetic ideology attribute and the field production characteristic, to dig the main body of the literary esthetics, the poetic wisdom characteristic and the native culture spirit of its practical rationality. The paper also elaborates the driving mechanism and the motion significance of the new time literature and art knowledge production and the intellectuals' value pursuit in the contemporary linguistic environment.