Discuss On Qilu Wush Culture

The study aimed to investigate"Qi Lu Wu Shu Culture"by the methods of survey and visiting to collect"Oral History", together with references, questionnaire, and compare and so on basing on history and social history. The study quoted geography theory and divided the"Qi Lu Region"into three Wu Shu Culture sections, namely"Huang River Culture, Qi Culture, and Lu Culture"to establish the case study by investigating the Wu Shu Master distribution of Qi dynasty, and Cha Quan, Tang Lang Quan, the culture of Han dynasty stone picture, and the Wu Shu culture in Shu Hu. The study investigated the Qi Lu culture and its character from the aspects of Wu Shu technique culture, spirit culture and social culture.The contents and main conclusion of first part: Qi culture had great effect on Wu Shu culture and the"Qi people being good at fighting"and"Qi people being brave"was because of the excellent military rules, selecting fighters and respecting fighter. However, Confucius educated his students with Six Yi, which promoted the combination of Wu Shu and civilization, and he emphasized fighting spirit and combination of Wu and Wen together with no attacking of Mo Zi, all of which facilitated the formation and development of Qu Lu Wu Shu spirit. Be affecting by Lu culture, Hua Quan reflects obviously Confucian Style.Shui Hu Legends reflected the Song dynasty social phenomenon of Wu Shu cluture, in which forty-one figures coming from Shang Dong province shaped the characteristics of Shang Dong province and reflected the social character of Qi Lu culture. There are about thirty kinds of Quang Shu relating to Shang Dong figures in Shui Hu Legends. The Leaf Game was popular in Shang Dong, He Nan, and Jiang Shu provinces in Qing dynasty which determined the high and low levels of Wu Gong by the area of leaves in Shui Hu Legends. The Song Jiang Matrix also was based on the one hundreds and eight figures of Shui Hu Legends and evolved gradually to the Wu Shu Tao Lu show and folk Wu Shu action.Main contents and conclusions from final part: From the culture relic in Shan Dong province, Qi Lu culture derived from the"advocating Wu Shu manners"in Shang Zhou dynasties, and the"Wu Shu dancing"and"see Wu Shu Show"in Qi dynasty of Xiang Qin which exhibited the"like Wu Shu Habit". The discharging Wu Shu manner in Qin and Han dynasties indicated the Qi Lu Wu Shu developing towards multifunction. The case study on Hu dynasty stone pictures in Shang Dong province suggested that: Qi Lu Wu Shu in Han dynasty may have owned concise Tao Lu, and appeared four forms: Wu Shu fighting, fighting with weapons, fighting without weapons and one person without weapon against another with weapon. The rule of Wu Shu master in Tang dynasty and Wu Shu learning in Song dynasty provided the opportunity to become leader for Wu Shu actors. The development of"Jiao Fa Ge"and"Wu Shu teacher"in Song dynasty were the critical factors for the establishment and development of Tao Lu. The Lu spear was the famous around the country and came down today. The Quan Zhong was more in Lu Xi than Lu Dong. The People became Wu Ju Ren was more in Lu Xi which reflected that a great deal people liked this game in Lu Xi. Furthermore, the people who promote from Wu Ju Ren to Wu Jin Shi was greater in Lu Xi, which reflected Lu Xin Ren liking Wu Shu and strength.The most species of Quan were formed during Qi dynasty. The study on Cha and Tanglang Quan, derived from Shan Dong province, indicated that they developed in Guang coutry and came from Xing Quan in Song dynasty with great contribution of Qi Zhen Muslem to the spreading and development. Tang Lang Quan established on the base of shape of Tang Lang, emphasized on short fighting, and had the Tang Lang brave without confining its shape. Tang Lang Quan derived from Lai Yang and Hai Yang and spread from country to city finally abroad. By now, Wu Shu has its day in Qi Lu, communicates with foreign broadly, and has acquired good achievements in national matches.