Call Of Open Land

In this paper, by investigating the work status of Cezanne facing Mont SainteVictoire perennial sketch,discusses the formation of structural form of Cezanne’s later works, in the era of "duplicate technology puttingan end to painting", can provide a new direction to reconstruct man’s consciousness. Cezanne based ondeconstruction of the formal structure of his previous works, shows an open world. The changes of Cezanne’sformal structure before and after, demonstrates that no ready specification can bound an artist who faces thenature and his feeling truly, This itself shows that the pattern of structure-deconstruction-structure-thendeconstruction, reciprocating cycle, not only is the pattern of art creation, but human cognitive model, also themost real form of human’s existence.By investigating the changes of western painting forms, Cezanne’s originals and his painting objects, we foundthat the paintings before Cezanne though under the influence of materials and skills, are always with differentcultural concepts. So there is always dispute about color and sketch, plane and space, or battle over theme andform and so on. He tried his best to see without foreknowledge and preset, so it resolves all contradictions andmake himself a painting Path to interpret the nature.The late two chapters discusses how the formal structure could express truth, and responded to Clive Bell’s "themeaningful form", indicates that the meaning of "meaningful form" is that,the Process of artist’s exploring thenature is also the Process to understand himself,in order to achieve an aesthetic artistic conception.Space, as traditional painting’s background, in Cezanne’s construction of "non-subordinative-construction ",manifests with main body, regardless of Primary and secondary. So in the Painting, the space becomes negativeform and the negative form becomes the key Part of the composition. The negative form brings out theappearance of void which does not exist in traditional Paintings. The "empty space" is just Mont SainteVictorirecan give. Facing mount saint victor and doing sketch, the space between Cezanne and the mountain formed theopen land, in which the truth can also show it’s appearance. The oPen land calls together absence and Presenceof all things, especially Cezanne’s concern of life and death in his late years. Cezanne’s being-to-death is alsopresented in the open land, When one realizes that his existences in the world is homeless, he has to get downto inhabit land poetically and paint.