The Ideological Narrative Cases Of Modern Chinese Fiction

Modern Chinese Fiction ideological narrative construction began at the advocation of the Enlightenment thinkers in the late Qing Dynasty, The theoretical construction and writing practice Constructed in three phases of the human literature theory and creative practice in May Fourth Movement, the theory and creative practice of the left-wing literature in the late1920s to the1930s and theory and creative practice Of Yan'an Revolutionary Literature. This paper selects the ideological narrative representative works wrote by the classic novelist, examines the features of narrative and archetype in the appropriate historical context.The paper is divided into six parts. The introduction is to specify the study scope of and research significance of the case analysis of the ideological narrative of the modern fiction, and explains the reasons for case selection.The first chapter explains the construction process of theory and practice of the Chinese modern novels ideological narrative in modern history.The second chapter analyzes the prototyping of ideological narrative of Lu Xun's Novels. Lu Xun's narrative is the starting point of Chinese Modern Novels, for the purpose of enlightenment and critical,Lu Xun fused the benefits of foreign novels and traditional chinese narrative as a furnace constructed modern new literary narrative style.1918, Lu Xun's "Diary of a Madman" published in the "New Youth", that is the first of the modernism and gestalt ideological novel in modern literary history.Lu Xun's "The Scream","Wandering" established narrative prototype of modern Chinese literature in te themes, characters and other. Lu Xun's "New Stories" dismantling of the time limit of the history and reality by synchronic parody, to construct a new critical expression of history literature.The third chapter analyzes the ideological narrative characteristics of the "problem novel","life novel," Country Novels "and" lyrical novel "."problrm Novel" is a fusion of the dominant literary narrative and hidden ideological discourse."Country Novels is refinement and expansion of " Lu Xun country image."Life novel "and" lyrical novel" broaden the breadth and depth that the novel express social, life and self. The four categories of fiction all herited the tradition of Lu Xun's narrative to establish the narrative of enlightenment people, construction of modern cognitive, critical national character, subvert the social legitimacy.The third chapter analyzes the left-wing revolution Literary Theory and writing practice. In the late1920s to the1930s, the promoters of the left-wing revolutionary literature trying to use "Revolutionary Literature"to replace "human literature", and push revolutionary literature onto the literary mainstream Successfully. Mao Dun constructed a fully formed political fiction narrative, his "Midnight"and"Spring Silkworms" is the literary representation of the Chinese Communist Party revolutionary theory."Leftist Association" young writer groups, or fabricate revolutionary utopian narrative by the petty bourgeoisie ethos, or upgrade enlightenment and critical to the revolutionary level,reached the political purpose by realism and lyrical narrative.The fourth chapter analyzes the ideological narrative of Ba Jin's novel and Lao She's novel. Ba Jin "Disillusion" is a romantic fantasy narrative of "anarchist" revolutionary ideals, his masterpiece "family" against the authoritarian society by the metaphor of the family narrative. Lao She's novel writing began at the irony of the national character of the old Peking Man, his masterpiece "Rickshaw Boy" and "Month bud" in social criticism echoes left-wing revolutionary narrative.The fifth chapter discusses the theoretical construction of the "Yan'an politics literary " and the writers revolutionary reorganization process, And analyzes Zhao Shuli's narrative characteristics of successful implementation of revolutionary, popularization, nationalization, civilian vernacular literature ideal.