The Comparison And The Thought Of Inheritance Of Nanyin Quchang In Cultural Ecology On Both Sides Of Taiwan Straits

In this article,the study object is Nanyin SanQu that spreads on both sides of Taiwan Strait and the theory and the method is based on the cross-disciplinary.And Nanyin will be studied in the following aspects including the appearance of prosperity,the phenomena of limitation of inheritance of SanQu,the cause of formation and the countermeasure of Nanyin from the cultural ecology of Nanyin.In the study,Nanyin is taken as a sample of music in the cultural ecology on both sides of Taiwan Strait.This article mainly talks about that the purpose of the protection of Quchang is the inheritance,and that of the inheritance of the tradition of Quchang and it is the development.The protection and inheritance is more important than the development in the era of globalization nowdays.Only by sticking to the traditional root,by protecting,by inheriting the tradition of Quchang and by developing the traditional values of Nanyin SanQu,the valuable and good source can be given for the development in future.There are 6 chapters in the study,the following contents are included.Chaper l,the comparison of the cultural ecology of both sides of Taiwan Strait and the appearance of prosperity of inheritance of the sample of Nanyin;Chapter 2,the limitation of inheritance of the core system of SanQu in cultural ecology in Nanyin;Chapter 3,the art of Quchang of Ma Xiangduan,the sample of inheritance of Nanyin SanQu of Mainland China in the cultural ecology on both sides of Taiwan Strait;Chapter 4,the art of Quchang of Cai Xiaoyue,the sample of inheritance of Nanyin SanQu of Taiwan in the cultural ecology on both sides of Taiwan Strait;Chapter 5,the comparison of the samples of Nanyin SanQu in the context of cultural isolation on both sides of Taiwan Strait-the comparison of the art of Quchang of Ma Xiangduan and that of Cai Xiaoyue;Chapter 6,the limitation of inheritance of Nanyin SanQu,the cause of formation and the thought of countermeasure in the cultural ecology on both sides of Taiwan Strait.This topic hopes to recover the limitation of the inheritance of SanQu in the cultural context of vigorous ecology on both sides of Taiwan Strait,and try to take the art of Quchang of Ma Xiangduan and that of Cai Xiaoyue who were both the representative artists in the 1950s to 1980s,and to prefer a sample of the art of Quchang.Then the tradition of Nanyin Quchang will be discussed as the characteristic of a sort of music.And to resolve the limitation from the cultural isolation and misrecognition in the circles of Nanyin on both sides of Taiwan Strait.And then refer a thought to solve the contradiction of inheritance and the modern development of Nanyin nowadays,and then prefer some inspiration for the traditional musical culture after the nonmaterial cultural heritage of China.