The Construction Of Chinese Modern Poetry History Under The Reconstruction Of Literary Order

From 1949 to 1956,with the change of the form of the state power,the cultural policy was adjusting,and a new literary order which was justified by the main ideology was established,too.During that time,the political factors affected the content of Chinese literary history,so the works on literary history was also brought into the specification of national ideology.In that stage,four representative woks on Chinese literary history were published---"The Manuscript of Chinese New Literature History "(Wang Yao),"The Brief History of Chinese Contemporary Literature"(Ding Yi),"The Outline of New Literature History "(Zhang Bilai)and" The First Manuscript of Chinese New Literature History "(Liu Shousong).Those four woks presented early the complete form of literary history on Chinese Modern Poetry.In the narration of those new poetry and the creation of the image of the poet,not only did they embody the political tendency obviously,but also expressed the literariness beyond the political statute,and the different narration forms and writing strategies of the new poetry,which reflects the complex relationship between Chinese Modern New Poetry and the politics.In the first chapter of the paper,it discusses the reconstruction of the literary order and the influence on the narration of the new poetry of literary history.The literary order and discourse space in the period of the Republic of China were diversified,and the composing of new literature was in a state of freedom,showing the different forms of writing and distinctive academic personality.During the first literary artist congress,the new literary order was firstly established,and with the birth of modern Chinese literature,literary history teaching material had become an important task to be taken seriously.The narration of the new poetry of literary history is constrained by the new order of literature.So "Socialist Realism" had become the mainstream clue and evaluation standard of narration poetry of the history literature.And the discussion on the form of poetry in the early days of the founding of the People's Republic of China also influenced the formation of the new poetic view,thus the concept of poetics had played a guiding role in the narration of new poetry of literary history.In the second chapter of the paper,it analyzes the initial attempt and revision of the narration of the new poetry in Wang Yao's The Manuscript of Chinese New Literature History.In the works of literary history,Wang Yao,for the first time,combined the theory of new democracy with the composing of the new literary history,embodying a political choice,either.When Wang Yao narrated those new poems,she did not put the focus on the position of the literary history of these famous poets,but just recited smoothly the poets and the poetic genre,showing an original narrative form of the new poetry.In the aspect of the poet's poem evaluation,Wang Yao showed the contradict condition between the political consciousness and the poetic thinking method,and was criticized for that.So in the revision of the narration on the poetry of the literary history,it embodied the entanglement relationship between politics and academia.In the third chapter of the paper,it discusses the new changes of the narration style during the turning process of the "politicization" in Ding Yi's "The Brief History of Chinese Contemporary Literature".The narrations of literary history of Ding Yi's embodied the connotation of "modernity" which owned the obvious political ideology and timeliness.In his narration of the new poetry,he formed a narrative poet's style whose focus was on "the writer theory",and used the poet's class origin and political tendency as the standard to control strictly the qualifications of the poets into history.He had improved the status of Guo Moruo's in the literary history,and rejected the reactionary and declining poetry genres,too.Ding Yi used the politicize and the popularize as the narrative standard of judging the merits and demerits of the new poetry,showing the confusion between the ideological shift and the lack of consciousness of the poem in the aspect of the narration of the new poetry.In the fourth chapter of the paper,it discusses a new form of the narration of the new poetry,and narrates a new paradigm of the new poetry in the political theory which is based on Zhang Bilai's "The Outline of New Literature History".Zhang Bilai unified the development pattern of the new poetry and the recognition of the new democratic theory together,and also emphasized the united front and the progress of the new poetry,Thus he divided the camps of the new poetry according to the class attributes and described the differentiation and different development directions of the new poetry.Zhang Bilai judged the poet's poems by using political factors as a standard,so he put the bourgeois poets as a critical target including in the narration of the literary society.Meanwhile,Zhang Bilai improved the image of Guo Moruo's in the literary history to a new height,and affirmed his romantic nature extremely.In the fifth chapter of the paper,it analyzes the characteristics of the new poetry,the politicized clipping and the microcosmic narration,in Liu Shousong's" The First Manuscript of Chinese New Literature History ".In the course of narrating the new poems,Liu Shousong continued to convey the homogeneity theory and politicized narration of the research of literary history,and clipped the modern poets according to the political standard,so that the number of poets in the literary history was seriously"reduced".At the that time,Liu Shousong set Guo Moruo as a "classic" poet image in the literary history,and in order to improve the status of Wen Yiduo,he emphasized the analysis about him at the same time.Liu Shousong combined the concept of macroscopic poetic and the analysis of microscopic art,and according to the development clue of the socialist realism to form the narration of new poetry in the literary history,so he opposed to the tendency of formalism which was away from the content,and also he persisted in the unity of the ideological and artistic standards,reflecting his delicate appreciation ability.In the sixth chapter of the paper,it mainly summarizes the characteristics,the forms and the constructions of the "classical" in the narration of the new poetry of literature history in the 1950s.In the period of the Republic of China,the narration of new poetry of literary history had multiple the narrative features,and the historical limitations were difficult to solve.After the founding of the People's Republic of China,the integration of literary order made the narration of the new poetry tend from the diversification to the unification,with obviously strengthening the politicized tendencies.In the fifties,the history of literature gradually formed a fixed narrative form of new poetry,which mainly existed in the introduction of literary ideology,the comment of new poetry's genre,the evaluation of poets and the interpretation of poems,which occupied an important position in the writing pattern of literary history.The writing strategies of literary history had an important influence on the classicization of poetry,and the "classical" poems established in the literature history were influenced by the external context and varied with the change of the times.Therefore,the significance of the "classic" was greatly questioned,and the classical new poetry had been under construction.In the conclusion of the paper,it mainly expounds that the fissure between the politics and poetics shown in the narration of the new poetry in the works of Wang Yao's,Ding Yi's,Zhang Bilai's and Liu Shousong's.The spirit of art and the principle of poetry did not disappear completely with political tendency appearing in the composing literary history,but existed in the way of undercurrent in the crevice of narration of the literary history.In the process of composing the new poetry of literary history,it had a problem that was the limited cognition and the narration on the object of literary history study.The range of the narration of the new poetry was decided by the viewpoints of literary history and new poetry,and the pattern of the narration of the new poetry was influenced by its composing style.The classical new poetry in the literary history had its own achievement to dig out,which provided a scalable narrative space for rewriting the literary history.