The Study Of Stone Inscriptions Calligraphy In Qing Dynasty

Qing dynasty calligraphy research,always focus on past calligrapher and calligraphy style,the Stone carvings of Qing dynasty in the Qing dynasty did not get the attention they deserve.This article study the characteristics of the Qing dynasty Stone carvings of Qing dynasty,shape,calligrapher and trajectory,and then discusses the significance of Stone carvings of Qing dynasty on the calligraphy in the Qing dynasty.The Stone carvings of Qing dynasty in the Qing dynasty calligrapher participants are widely distributed,the early Qing dynasty seemed to Ming dynasty style is accounted for by the largest;After chasing for emperors and Pavilion calligraphy has a complicated relationship between shoka Stone carvings of Qing dynasty of writing style and there are a variety of phenomena on the calligraphy creation of independence.By combing the Stone carvings of Qing dynasty in the Qing dynasty calligraphy and combined with related literature,we can observe the calligrapher of the diversity and multifaceted.Stone carvings of Qing dynasty of Qing dynasty in the aspects of the value of the Chinese calligraphy for more comprehensive analysis and exploration,to calligraphy phenomenon of objective truth to reveal the law of the Qing dynasty inscriptions calligraphy and characteristics,etc.Through the study of the different historical period of Qing dynasty Stone carvings of Qing dynasty a comparative analysis of the same kind of Stone carvings of Qing dynasty,it can be seen that Stone carvings of Qing dynasty calligraphy style has experienced natural,leading to the development of the neutralization,thick enlargement,conflict and simple blending phenomenon.This phenomenon is an important link of calligraphy development in the Qing dynasty,is also consistent with the development of the gallery in the Qing dynasty.Stone carvings of Qing dynasty in the Qing dynasty calligraphy style of rheological later to scholars and the historical background of the development of Qing dynasty Stele school corresponds to the need,also is not possessed by other era,through a comprehensive induction Stone carvings of Qing dynasty in the Qing dynasty social status and historical characteristics of calligraphy,to supplementthe Study of Chinese calligraphy in the Qing dynasty.This paper is discussed in six aspects.First,the comprehensive investigation of the inscriptions of the Qing Dynasty,this thesis is mainly based on monuments and epitaphs.The monument has the largest number of inscriptions in the Qing Dynasty,and basically undertook the monumental shape of the previous generation.However,the shape of the monument is more diverse,with the carvings of “chi”,dragon,“Qilin”,auspicious clouds,flowers and plants.To show solemnity.In the content of the inscription,the writing style of the Manchu and Han dynasties occupies a certain proportion,which did not appear in this proportion in the previous dynasty.The shape of the epitaph basically continued the customization of the former form,and there was no breakthrough.It is worth noting that the inscriptions clearly showed regional characteristics in the Qing Dynasty,with Henan,Zhili and Lingnan as examples.After comprehensively observing the characteristics of the inscription,it is related to the calligraphy style.Secondly,the unique analysis of the monuments of the Qing Dynasty,with its structure and types exploring,inspected the Qing Dynasty inscription system,in which a special set of word monuments appeared.At the same time as the completion of these inscriptions,the Qing Dynasty was very decorative,especially in the amount of the monument.Of course,the multi-lingual monuments are the characteristics of the Qing Dynasty.Third,the monograph analyzes the epitaph,and exploring the shape and type.It is divided into typical epitaphs,monumental tombs,placards,brick tombs,and porcelain tombs.The epitaphs of the Qing Dynasty often had more literary remarks and rich content.Through the writing features of the dynasty's epitaphs and essays,the official features and the characteristics of the book were formed.Fourth,the composition and influence of the inscriptions on the Qing Dynasty.The royal family,officials,and hidden calligraphiers are independent and intertwined.There are both lyrical of late Ming influence,as well as the influence of the emperor and the official engraving.In addition,the Qing dynasty takes the emphasis on calligraphy in the official literary,and the literati inscription is heavily influenced by being officer.After Qian Jia time,the thoughts surged,and the rise of the tabletologymade the inscriptions calligraphy more diverse to a certain extent.This is also the unique calligraphy phenomenon in the Qing Dynasty.Fifth,the Qing Dynasty Pavilion and inscription calligraphy.In the Qing Dynasty,the calligraphy of the pavilion was based on the two kings,and the calligraphy of the Tang Dynasty was used as the teacher.After the constant regulation of the emperors and writers in the Qing Dynasty,the imperial family regarded the fairness of calligraphy as one of the contents of the imperial examination.Such inscriptions have the influence of various styles such as Dong Qichang,Zhao Mengfu,Ouyang Xun,Yan ZhenQing and copying buddhist scriptures.Based on the cause and influence of the pavilion,the contradiction between the practicality and the artist of the inscription is made to make it more stereoscopic and objective.Sixth,the aesthetic characteristics of the inscriptions on the Qing Dynasty.The Qing Dynasty was a period of great development in the development of ancient Chinese aesthetics.The aesthetic consciousness of this period was highly consciously developed and reached a peak,which was also manifested in the inscription calligraphy style.The nature of nature,“Yazheng Zhonghe”,“Dunpu thick”,conflict and blending,etc.appeared in the Qing Dynasty inscriptions calligraphy style,which is inseparable from the background of the development of Qing Dynasty culture,but it is also an objective fact that inseparable from the development of calligraphy in the Qing Dynasty..The comprehensive study of the inscriptions on the inscriptions of the Qing Dynasty will certainly promote the study of the history of calligraphy in the Qing Dynasty,and make the historical facts and phenomena of the development of calligraphy in the Qing Dynasty more clear.