The Eight Banner Scholars In Qing Dynasty Received Research On "The Book Of Songs"

Book of Songs is the origin of Chinese literature.The styles of Fu,Bi,Xing and realism advocated by it have become the essence of Chinese literature.As the first collection of Chinese poetry since the own poetry genre,the works in Book of Songs have also become valuable documents for the study of the humanities and academic fields of ancient times,such as history,culture,social folklore,character and rhyme.In Qing Dynasty,a group of people with Han people as the main body,had written many works of Book of Songs study,and the Banner people had made indelible contributions in inheriting and disseminating the classics of Book of Songs.It is regrettable that the contemporary academic circles mostly refer to the Book of Songs documented by the Qing Dynasty common people,but they rarely refer to the Banner people in detail,especially the acceptance activities of the Manchu Eight Banner groups on relevant literature.In fact,the Qing-dynasty Banner people were not worse than the people in the Qing Dynasty in their acceptance of the Book of Songs and related activities.This is firstly manifested in the cultural background established by it as a ruling nation.The twelve emperors of Qing Dynasty have a correct understanding of the importance of "Chinese culture in the rule of the national government",and although they certainly have a conservative side in the process of accepting Chinese culture,they encouraged the children of Eight Banners to learn Chinese culture and recognized the communication between Manchuria and Han generally.The government's top-down advocacy of culture and education provided a stable institutional guarantee for the Manchu and Chinese elites in the Qing Dynasty to reconstruct the essence of Chinese culture.Secondly,as far as the Book of Songs itself is concerned,the members of the Manchu Banner,headed by the Qing Emperor,the methods ofusing the text to implement cultural control are also very diverse.They quoted the Book of Songs chapters and combined the ideas of the classics to teach the subjects,promulgated the official Book of Songs on the basis of neo-confucianism,the fundamental purpose is to impart the essence of the Confucian system to the masses.By inheriting the cultural and educational traditions that were beneficial to the regime,the core position in the traditional sense is constantly consolidated.It is noteworthy that many classical books,including Book of Songs,have also been translated into Qing language and disseminated in the Eight Banners.They have distinctive features in terms of words,sentences and text structure,which are different from the original Chinese texts.The two versions of Book of Songs issued during the reign of Emperor Shunzhi and the reign of Emperor Qianlong respectively,which not only showed the process of the banner people's cognition of the Chinese classics from understanding to familiarity,but also showed the continuous enrichment of the Manchu words and phrases,and the development process of the written translation method emphasizing the beauty of literature.What's more,the Qing Dynasty Eight Banners literati group also made a series of Book of Songs academic achievements through the study of the Book of Songs literature.:Among the works,Zhuntu's Interpretation of O,rthodox Poetry,Jiang Shaozong's Reading Poetry for Mastering Knowledgeable,Doronga's Uncderstanding Mao Poetry and Zhang Yulun's Ancient Phonetics of Mao Poery are the representatives.These monographs have the characteristics of their own research perspectives:for example,the literature analysis of the Book of Songs is emphasized in the Book of Songs chapters;Ancient Phonetics of Mao Poetry focuses on the finishing of ancient phonology;Interpretation of Orthodox Poetry and Understanding Mao Poetry are more inclined to exegesis,but there are also differences in the specific research ideas and literature references.On the other hand,the status of literati and scholar of Book of Songs in the Eight Banners is not only full of Manchu Eight Banners but also Han Eight Banners.It also shows that the spread of culture and education among the banners in the middle and late Qing Dynasty is not only universal and profound,but also that the exchange of their respective cultures has been unimpeded.Finally,the Eight Banners literati's literary creation activity also revealed that the Book of Songs to significantly affect the traces.This is mainly reflected in the two levels of Eight Banners literati poetry commentary theory and literati poetry.In other words,Nalan Xingde,Fashishan,Yue Duan,Tiebao and other Eight Banners represent literati in their literary literature and poetry,and accept the literary heritage of Book of Songs either explicitly or implicitly.Revealing the acceptance phenomenon of Eight Banners literati poetry creation in the Book of Songs from the perspective of aesthetic should be exploring Han culture influence the important link of the Manchu.Thus,the author combines the the acceptance theory from four perspectives of the historical and cultural background,the Qing Dynasty's use of the Book of Songs literature,Eight Banners literati s Book of Songs academic achievements and the acceptance of the classics,Eight Banners literati accepted Book of Songs?on the practice of literary creation based on literary heritage,it is hoped that the study can be carried out in theoretic aspect on the acceptance problems of Book of Songs of the problem of the children in the Qing Dynasty Banner people are influenced by Han culture,the purpose is to clear and analyze its acceptance reasons,acceptance process,and specific acceptance cases and the impact after accepting,in order to know the Qing Dynasty Eight Banners literati group outstanding contribution in the multi-ethnic literature in China.