Study On Zhu Tingzhen's Poetics

In the late Qing Dynasty,there were two trends of poetics:summed up ancient poetry and went toward modem poetry,the poetics of Zhu Tingzhen was the former one,It is devoted to summarizing the theory of ancient poetry,deepening the proposition of traditional poetics and pointing the way to the poetry.It mainly has the root,the poem law,the home she used three aspects composition,the thesis takes this as the clue,through the way of the trace back,the analysis criticism method,summarizes the theory characteristic and so on the main content,the Poetics orientation,the poetic history view and the historical position.The thesis is divided into six parts.The first part mainly introduces the basic situation of Zhu Tingzhen's poetics,from four aspects,such as the current version of Xiao Yuan poetry,the value of its own manuscripts,the 50 poems on poetry,the Zhu Tingzhen of poetry,and the structure and staging of Zhu Tingzhen poetics,the Zhu Tingzhen poetics is given a panoramic overview,It Iays a solid foundation for the discussion of the core issues of Zhu Tingzhen poetics.The second part mainly analyzes the poetic orientation of Zhu Tingzhen from the specific angle of the controversy of Tang and song poetry,it is considered that different from the popular poetics in the late Qing Dynasty,Zhu Tingzhen,s poetics has a more general attitude towards the Tang and song poems,but in the concrete criticism practice,it shows the tendency of "melting the song into Tang Dynasty".From the angle of "the new and old handing more,the day is changing",this paper combs the Zhu Tingzhen's poetic History view,and thinks that although the historical view of Zhu Tingzhen's poetry is "changed",it is actually "changing without hostility".The third part mainly discusses Zhu Tingzhen's "root Theory,,mainly from the accumulation of nourish,get the truth,the main meaning,into the real I four aspects of the discussion,committed to the Iate Qing Dynasty and Yunnan poetry poet lack of subjectivity.Think "nourish","to be true to the truth","the main meaning","into the real Me",are Zhu Tingzhen for the "lack of subjectivity" of the prescription prescribed.The accumulation of reason,nourish focus on the creation of the main body in the cultivation of aesthetic quality,the true meaning and the truth,I focus on the creation of the main artistic judgment and originality,and the four work together to cultivate the creative subject of poetry "deep learning,broad mind,excellent judgment and skillful artistic skills",In order to construct a Orthodox poet subject with pure aesthetic accomplishment and rich in artistic originality.The Forth part mainly discusses Zhu Tingzhen's "Theory of Poetry",which is mainly discussed in three aspects,such as the subject of poetry,the indefinite method and the status of "poetic law",and is devoted to summarizing the techniques and theories of Chinese ancient poetry creation.It is believed that "the theory of poetry,is the core of Zhu Tingzhen poetics in the She used of "the root of the word" and "the family".Pay attention to "appropriate,realm similarity" theory of the phase,with,propriety fit,the state of Wan Shaw" as the overall requirements,to "examining,layout,conception,thinking,choose the meaning of words" as a concrete step,the purpose is not only "title and poetry","The question and the poem Shaw",moreover is the force goes to the Chen Yan,strives for changes the novelty.The theory of "the indefinite law and the definite law",with the basic principle of "Ben,Yu,Hua,gui",makes a dialectical and artistic summary of the aesthetic thought of the living method in ancient poetics.Part five mainly discusses Zhu Tingzhen's "home she used",mainly from the origin of home number,the standard of home number,the paper discusses the four aspects of the home number evaluation and the negative of the family number,and holds that Zhu Tingzhen from the macroscopic poetic history and the poet's comment two levels,with the standard of meteorological scale,independence and change,using"Master","Big famous","Famous","Little poets" four types,"near and have the scene feeling,angle of view,has carried on the evaluation to the poet's gain and loss in the past dynasties,has carried on the ranking from Jian'an to the Qing Daijiaqing,the light period poet's family number size,has listed the home several names record.This shows an atlas of ancient and modern poets in the eyes of the poetics of southern Yunnan in the late Qing Dynasty,outlining an ideal realm of poetic achievement for beginners,which is of great significance for the poet to judge the literary works with"family number".Part six is the evaluation of Zhu Tingzhen poetics,this paper mainly discusses four aspects from the inheritance of Zhu Tingzhen's poetics to predecessors,the position of Zhu Tingzhen poetics in Contemporary poetics,the evaluation of Zhu Tingzhen poetics by scholars,and the status of Zhu Tingzhen poetics,and holds that Zhu Tingzhen Poetics inherits some viewpoints of Jiyun poetry,Verve faction,style school and texture school.And on the basis of the breakthrough and innovation;by combing the poetry of Zhu at the same time or later,summing up the scholars 'evaluation of Zhu Tingzhen poetics or reputation or ruin,the author holds that Zhu Tingzhen's poetics has the advantages of comprehensiveness,systematicness and compromise,and that there exist relatively conservative positions,too much worship of vulgarity,and less fair discount of poetry criticism.But afterward.Zhu Tingzhen's poetics combines orthodox morality with multiple artistic tastes,and tries to construct an Orthodox and flexible poetics framework,which shows the consciousness of reforming the Confucian poetic tradition to establish new poetic ideas.It is not only the original poetic thought of South Yunnan,but also the poetic achievement with distinctive features in the summarization period of ancient Chinese poetics.