| There are travel writers in all dynasties,but no previous dynasty had so many and so neat as the Ming Dynasty.Ming Dynasty is a prosperous period of unprecedented development of Chinese travel literature,which plays a very important role in the history of Chinese travel literature.It has preserved a large number of travel notes of the Ming Dynasty,which contains great literary research value.On the basis of previous studies,through careful combing,careful analysis and careful summary,this paper makes a more in-depth analysis and summary of the travel and heart writing of talented people in the Ming Dynasty from the literary perspective and taking the model text as the research object.The thesis consists of three parts:introduction,body and general introduction.The introduction expounds the origin and innovative ideas of the topic,the research status and trend,the research content and methods.The main body is divided into six chapters,which are discussed from different perspectives of traveling and writing:The first chapter is a brief examination of travel notes.This paper makes a textual research on "travel",discriminates the concept of "travel notes",and re analyzes the connotation and extension of travel notes.The second chapter is the foreign writing written by Chen Cheng and Ma Huan.This chapter shows the "extraterritorial territory" with the travel writing of connecting the western regions and going to the West in the Ming Dynasty.Using the theory of comparative literature iconography,this paper reveals the image,movement and emotion highlighted by the only foreign travel writing in the western regions in the Ming Dynasty,which is divided into three parallel narratives,as well as the superior image of the western regions,self-image and local culture of the Ming Dynasty under the careful organization and three-dimensional construction of Chen Cheng.Using humanistic geography,based on the analysis of Ma Huan's records of the islanders,four thematic units are selected as the centralized display of the "victory" of foreign countries,focusing on the characters' beauty,the similarities and differences of soil customs,the differences of local products and the system of territory,so as to shape the profound experience of "foreign countries" and "strange and strange" during his journey to the West.Then it evaluates the status and unique value of the representative works outside the territory of the Ming Dynasty in China's ancient foreign travel notes as a whole.The third chapter is the cultural implication and literary value of Du Mu Jinshi tour.This chapter studies Du Mu,a Wu man inspired by the nature of the museum,and enters the"realm of history" through his wandering in looking for rubbings and visiting ancient times.This paper discusses the multi-dimensional text value of Shi Xi diary,especially the unique cultural interest of on-the-spot investigation,proving classics and supplementing history in the travel writing mode of erudite and personal experience,which has a subtle demonstration effect on scholars in the Qing Dynasty.This paper discusses the literary value of being good at traveling and being able to speak,investigates the combination context with the theme of Du Mu Tong crossing the mountain,examines the life mark engraved on the mountains and rivers,talks with the sages,identifies the origin,clarifies the fallacies,and continues the historical traces,so as to make the historical objects stand out from the plain and approach the eyes with a fresh and flying style.At the same time,it generally evaluates the unique travel characteristics and aesthetic perception of Jinshi in the Ming Dynasty.The fourth chapter is the language picture visual paradigm of Wang Shixing's five mountains.Starting from the perspective of the study of the relationship between language and picture,this chapter highlights the "Range Rover realm" opened by the use of pictograms in Wang Shixing's "five mountains and grass".In each volume of the book,the unique regional characteristics of Wang Shixing's walking around the world are constructed,and the images and words on the same inheritance chain are emphasized.The cultural memory contained in them is obtained through the description of tours in different regions.The difference between space and cultural field forms different regional memory and cultural connotation perception.The rich meaning and diverse features of the region have different writing emphases in Wang Shixing's works.The north and south of the river,Wu yuechu,Sichuan,Guangdong and Yunnan from the perspective of regional overview construct a regional ladder system that can be used for comparative observation,and integrate into the humanistic geographical vision of Wang Shixing's ancient and modern reference,viewing the past with the present and seeing each other.The text with both pictures and texts not only reflects the new change of the concept of travel notes in the Ming Dynasty,but also the value of Wang Shi's travel notes as a model of travel notes literature in the Ming Dynasty.The fifth chapter is the appearance,expression and interest of Yuan Hongdao's landscape travels.From "writing skin" to"appearance" is not only a new change in the style of travel notes,but also Yuan Hongdao's unique cultural interest in describing "the land of nature"."Appearance and expression" is a new height and new connotation of the traditional Chinese distinction between form and spirit,which developed into the Ming Dynasty.Zhonglang introduced the technique of "appearance and expression" into the creative practice of travel prose through five creative techniques:intuitive feeling,immediate copying;Activate the landscape and integrate the mind;The essence of ingestion is vivid and vivid.Panoramic writing and reasonable layout;Participate in spiritual change,generate new ideas,and apply painting theory experience to the creation of travel notes,strive to transmit the charm of mountains and rivers in the exquisite shape description,place their own "spirit"in the mountains and rivers with "expression",and convey the unique aesthetic ideal and spiritual perception of the creative subject.Such landscape travel notes have sound in reading,color in reading and fragrance in smelling.They have become a classic work with fresh life and rich "expression".The sixth chapter is the geoscience contribution and literary value of Xu Xiake's travels.This chapter focuses on Xu Xiake's "empirical realm" of tracing the river to find the source,puts the travel notes text in the interpretation dimension of integrity and connection,further excavates the unique spiritual connotation of the deliberate travel of the travel subject,and discusses the internal diachronic changes with "travel" and "record" as the main line.Xiake tracing the source of the Yangtze River investigates the whole Yangtze River Basin.Step by step,it explores the watershed between the Yangtze River and other basins,discriminates the positive source and side branches of the Yangtze River,and endows the travel notes with rigorous and complete new ideas of correcting errors in the continuous field investigation with the spirit of scientific investigation and rigorous logical reasoning.From the perspective of style,although Xu Xiake's travels is recorded in diary style,it adds new content to this style in terms of structure,purpose and means of expression,which makes the diary style travel up to the highest level of ancient travel art in breakthrough and innovation.General.The general part reviews and summarizes the full text,and examines the topic of writing the mind in the travel environment in the overall characteristics and historical process of travel literature in the Ming Dynasty:observing the mentality of literati and the new trend of travel literature in the Ming Dynasty from the heart of loving travel and the travel environment;This paper analyzes the mental path of scholars traveling in the Ming Dynasty in the social change with the change of time and the difference of mind with the situation;Through the combination of mind and environment and extreme portrait,the creative framing practice of Ming people is evaluated vertically.While continuing the predecessors' perception of landscape,the travel notes of the Ming Dynasty opened a special spiritual world inward,constructed a unique image,copied and wrote a changeable landscape world,and achieved a new height in the travel notes of the Ming Dynasty as a whole. |
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