The Research Of The Timbre Processing In Генриx Piano Teaching Method

Piano music is an auditory art, and it is more a sound art. The timbre is one of the most important factors to transmit the music style of the pianist. The quality of the timbre directly reflects the degree that the performer grasps the work style.Генриx , Russian pianist and educator, had ever said"It is not exaggerating that I spend three quarters of my labor on the timbre exploration when I'm teaching."This is one of the most critical sources that made him obtain the huge artistic achievement in the piano performance and the piano teaching.This article focuses on the thorough research of the timbre processing ofГенриxНейгаузpiano teaching method, and analyses it from the external f and internal factors. The external factors that influence the timbre are the cultural accomplishment and artistic taste, and according to these two points, the article analyses the forming process ofГенриx's cultural accomplishment and artistic taste, summarizes the utilization method that he raised the art taste and timbre aesthetics of his students, and further elaborates howГенриx established and improved his students'artistic taste and timbre aesthetics. The internal factors of the timbre include the touch keys and pedal. The article deeply analyses the methods ofГенриx's touch keys and his unique pedal utilization, which establishes on the timbre processing of various periods'works and teaching example analysis ofГенриx , and discusses the timbre processing ofГенриx from the cantabile phrases processing, pearly touch keys, multi-level timbres and artistic images.