On The Spectacle-film Under The Context Of Visual Culture

Spectacle-film which takes up an important position in the market has been the main form of present film art. For those film writers, spectacle-film could be the object of learning and imitation; for those film-goers , it has brought unprecedented visual feast; but in the eyes of film researchers, its emergence should have some deeper reasons in social and cultural aspects. Superficially, the emergence of spectacle-film mainly depends on the support of technological progress, but the underlying reason is the effects from all layers of the visual culture times. Visual culture affects the constitution of the whole social photos and the exchange of"vision,"as well as the film development.Enter the 90s, after the wide application of digital technology to improve the film quality, creating a new visual spectacle. On the visual impact of the continued pursuit ,has digested the guiding principles of traditional narrative film, and spectacle-film has apeared which stress the spectacle and the landscape scenes. The emergence of the spectacle-film dependented on the film technical progress, the impact of post-modern cultural trend,and the visual culture. It highlighted the visibility of visual culture and visual pleasure, visual elements become core elements of culture as an important tool for expressing emotions. It should be the development of spectacle-film, therefore all these come into three unique features: the pursuit of audio-visual pleasure, building virtual space; use of digital technology, emphasis on special effects production; Investing large amounts of funds and focusing on global communication. The emergence of the spectacle-film infulenced by the popular visual culture, while the spectacle-film is an important part of visual culture. Therefore, the film's visual landscape study from the landscape analysis of the relationship between spectacle-film and visual culture, and then analyze the performance of spectacle-film's visual wonders,and anlysis the complicated relationship between the spectacle-film and the visual consumption. With the development of visual culture, people's concern about the real world increasingly dependent on the way to the characterization of the view. Representation of the real situation as the spectacle-film further demonstrates the separation of the context of film with the real world, the creation of "unfamiliar" image to attract audience; In an interview with the people in a passive position, and anesthetized by "shock" .