Elements Of Western Painting Flower On The Impact Of Medern Chinese

Over the years, the development of flower painters and scholars of common concern, and how to better achieve the modern transformation of flower is a more urgent task. At present, the theoretical scope of the study circles on the bird mostly focused on the theory of traditional flower and bird how to sort out the issue of innovation, the lack of a more macro perspective to understand the history, research methods in the eyes of the beholder is the wise see wisdom. Therefore, I believe only the history of the development of bird and rational scientific research in order to better grasp the bird of the future. Throughout the history of the development process of Chinese bird, maintaining the flower-specific development of national character has always been the main line of the ancient bird, but to the modern and ancient bird showed a different development of the special nature of Western culture that, as the Ming Dynasty input, to the emergence of modern Western painting flower impact factors on the phenomenon, which is a problem can not be ignored, it can be said, is that external conditions for the rise of modern Chinese bird and implementation in the modern transformation has been possible. Especially in the 20th century, Western painting as a bird impact on different cultures has not stopped. It is worth mentioning that in the history of modern Chinese art, Chinese and Western culture collision, has bred with a new look different from the traditional bird, but its evaluation of the merits we have yet to be seriously in-depth analysis and research. It should be said, the focus of the performance of these phenomena is the face of the impact of Western culture go, for us, This is an old topic but also a new topic. Based on this, that the development of flower development should be consistent with the basic law of art, namely, the development of art in the social constraints and self-regulatory changes under the action of the development forward.In the classical period, the bird reflects the development of more aspects of their self-discipline, and 20th century Chinese art, especially the "May Fourth" Movement, mainly reflected in the literary aspects of foreign culture on Chinese traditional culture and the impact of lead to great changes in art, bird in the process after the same baptism, and finally showed a colorful prosperity. Can be understood, as opposed to the classical flower, the more this phenomenon reflects the art principle of the development of social constraints, and this binding is expressed in a contemporary world trend, and cultural exchange between whether the development of world culture has become a common trend. It was against this historical background, we study the evolution of modern bird was especially important value, as it relates to the development of bird problems related to Chinese painting in what the image of the tower in the world of Folk Art forest and a series of complex issues. Therefore, based on the above understanding, properly handle the inheritance and reference; correctly understand the bird's nationality and global issue, the development of the flower of great theoretical significance. This article mainly focus on the use of more detailed principles of materialist dialectics to analyze the factors of modern Western painting,"Shanghai","Lingnan"bird impact, while the modern flower growing by the Western Paintings clear trend was also done a more comprehensive argument. Finally, the article pointed out that extensive exchange of world culture is the historical background, the creation of the modern bird inevitable constraints by this cultural environment, can not go back purely classical sense of the mood to go. Relative to the modern bird, bird in the new era ideology, materials and techniques, individual manifestations of varying degrees in various aspects of a breakthrough, but there have been some noteworthy issues, namely how the excellent traditional culture with an excellent combination of organic foreign culture; how to create both national characteristics and cultural traditions but also has characteristics of modern culture and contemporary cultural features of the new bird, etc.,there is no doubt that these issues be further explored and we are still contents of the study.