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The Absorbing From The Other National Stringing Instruments In The Development Of Chinese Erhu Music

Posted on:2011-06-11Degree:MasterType:Thesis
Country:ChinaCandidate:S S WuFull Text:PDF
GTID:2155330332980997Subject:Music
Abstract/Summary:PDF Full Text Request
Past century,the development of erhu music absorbs chinese China's national folk music elements in order to enrich their own playing field,and there are many successful experience is worth learning from the latter.This article focus on analysis the absorption of erhu music from other national stringed instruments music from the dual perspective of creativity and performance, which comprises three aspects:Erhu composition(There are two forms of absorbed track, that is, etude and music, from such two forms as transplantation and composition), Erhu playing techniques(there are two respects such as playing techniques of left hand and bow techniques of right hand), marking and tune a stringed instruments of the Erhu playing techniques method. Through the above analysis, the author propose that the erhu music should be named "min",the future development of erhu music should absorbs the nutrient of chinese national folk music elements,especially the national pulling strings on the Erhu music development can not be neglected.This article is an earlier sort and study of this phenomenon in the nationwide and hope to make some contribution for the theory study of How Erhu music learns from the music of other national pulling instruments music.
Keywords/Search Tags:erhu, ethnic pull strings, composition, skills, notation, tune a stringed instrument law, to absorb
PDF Full Text Request
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