A Study On Inheritance And Change Of Tian Qin Folk Art

Budai Peopl of Zhuang has a population of more than 17,000. Tian Qin Folk Art is a bright pearl of folk art in the Budai ethnic group. It has its unique style. The inherited field area, origin and changing history have loaded ethnic group'historical memory and realistic wishes. Studying it can make a better research on the history and present condition of Budai ethnic group'cultural development. The thesis which is based on countryside study tries to explore and analyze Tian Qin Folk Art from the perspective in ecological ethnology, cultural ecology and cultural anthropology and so on.The thesis includes five parts: introduction, ecological environment inherited in Tian Qin in Folk Art and its general situation; the rural society: Tian Qin Folk Art's creation and tradition; the urban society: Tian Qin Folk Art's transmission and change; its realistic condition and development strategy; making a description and analysis on the its inherited cultural ecology, creation and tradition ,transmission and change, characteristics and function and how to protect and develop and other problems under the mutual contents.So it can draw a conclusion: Tian Qin Folk Art is an important folk art of Budai ethnic group. There is a close relationship between art and Budai ethnic group'life.The art experiences the transmission and changing history from the rural society to the urban society. Its change is influenced by content converting and it has new appearance and characteristics.With the advancement of the process of global economy integral whole turns and cultural diversity, intangible cultural heritage meets that opportunity and challenge are kept. We should hold a developing view on the protection and inheritance of the intangible cultural heritage including Tian Qin Folk Art, instant that guest of developing safeguard and seat of host safeguard combine together, and let the intangible cultural heritage develop in the changing content.