An Application Study On Language Of Oil Paintings Of Embodiment In Ethnic Minorities' Featured Works In Xinjiang

Paintings is classified into two parts: embodiment painting and abstract painting which is a way to express human feelings. The abstractness of embodiment painting is fully displayed in certain combination of lineage, shape and color that can arouse images and emotions of people, compared with embodiment features of paintings. The language of creation of oil paintings is the presentation of painter himself and the real mirror of the creator. It is changing with people's conception and society as well as a dynamic developing process.Culture is the foundation of creation. Hence, a deep study on ethnic minorities'featured oil paintings is required to create brilliant works. Embodiment painting, as a elastic culture carrier, stands at the crossroad of pure arts and ethnic cultures, which shows high-leveled symbolism, the aboriginality and the nationality that can reflect deep ethnic cultural contents.The paper illustrates the present situations of oil paintings of embodiment painting at home and abroad. A study on language of oil paintings of inland and native creators is carried out, based on the embodiment of ethnic minorities featured works, thus coming to the conclusion: the diversity language representation of oil paintings of embodiment in ethnic minorities featured works can be attributed to harmonious, relaxing artistic ecological surroundings and the integration of aesthetic view of truth, kindness, beauty. Again by theory plus practice, an exploration on movement force composition form as well as color language in the beauty of form is analysed. The content and form- embodiment oil painting language also seeks for the space in abstract language.And the harmonious integration relations among material technique, the creator, and the unique language are elaborated in Xinjiang national minority theme oil painting's language. Finally that the embodiment oil paintings in Xinjiang national minority theme development need seek space in abstract language. In a word, the essence of language study on oil paintings of embodiment of ethnic minorities featured works is to start from ethnic quality to describe the spirit of Xinjiang to lay emphasis on ethnic genre and feature as well as the latest works, thus instilling new contents an requirements into the representation of ethnic.