The Nature Views In Chinese Classical Poetics

"Nature" is extensively used to comment on the artistic conception -. style and skill of poetry > drawing and penmanship in ancient china, so that it is an important aesthetic category of the classical literary criticism theory. With regard to the ancient V main viewpoint about poetry nature style, the thesis probes into its origin, production and development, artistic characteristic, as well as the relation between natural artistic style and artistic skill.This thesis is divided into three parts. Part one starts with nature theory's three penmanship: Taoist school, metaphysical ideas and Buddhism and Conlucianism. .Firstly Taoist school origin梩he nature of the classical literary criticism stems from the one of philosophy. Taoist school initiates the "Nature" word that the doctrines of nature is the origin of universal things and the laws of all things'development ,their viewpoint provides the philosophical ground for the poetic nature theory's production and development .Secondly, metaphysical ideas?Absytusism belongs to a philosophical form and social trend of thought in Wei and Tin dynasty. Its debation between "having" and "Nothing" makes the trace of Taoist school be in the literary theory of six dynasties .The author demonstrats the poetic natural theory absorbs the Taoist school's activitical views and method theory so that many poets and writers advance the demand of nature. Finally, Buddhism and Confucianism 梩he thesis points out that nature theory absorbs their thought and relation between them.Part two analyzes the production and development of the poetic nature theory .First to inspect the production that undergoes the course that people in ancient time don't study the poem creation from Taoist school's natural way and truth to wang chong's truth and simple, Only when Liu Xie initiates the nature ideas of poetry, did this theory produce in Qi and Liang times, Second to explain the development of the theory .Because meanings possesses complexism and diversify, this leads to the course that undergoes six dynasty's carving nature, Tang dynasty's simple and unaffected natures ,song dynasty's prosaic plain natures and Ming and OJng dynasties' temperament and vmaftected nature with regard to all sorts of natureviewpoints.Part three inquires into the traits of the poetic natureartistic style and artistic skill. This thesis points out that the theory's traits are unaffected and plain on letter and word . Unaffected trait is divided into unaffected emotion and true image .Then it is followed by an analysis of the relation between artistic style and skill, find that they are unity and can promote the development of the poem.By making research into the subject of poetic nature theory , this thesis aims to arouse people's consciousness and attention to the good tradition about classical poetic nature theory's national style and aesthetic tradition, so as to gain a good deal of enlightenment from it.