Study On The New Folk Custom Film By Using Semiology For Method

Chinese movie & TV art has demonstrated the distinct national style and national characters for a long time, Especially after the eighties of the 20th century. With such success at home and abroad of a series of films as " yellow land " , " red Chinese sorghum " ,these named the author of " new folk custom film " and film this text by film theoreticians have become the protagonist of art of film of new period. While emphasizing positive utility of the folk custom in past folk custom film, new folk custom film reflect the aesthetic orientation of the negative effect of folk custom more. It criticize irrationality of folk custom ,and criticize dark inhuman social system. Still someone take the compromise neutral attitude in addition and Implement " developing what is useful and discard what is not " to the folk custom.Put the numerous films prone to folk custom together,we will find some common characteristics of this kind of film, for example, playing up to the folkways, using boldly to color , the ones that women's life experience are reproduced etc. Have director , booking office of appeal most as contemporary Chinese movie circles, what Zhang Yimou deduce not beyond the scope of some national legend , folktale,but the audience gets among them surprised and shaking , moving and making warm. Make a general survey of film of Zhang Yimou , since " red Chinese sorghum " , have one thought train of thought that carry throughout: The moral concept of old ethics is to forming transition of the moral concept of new ethics from revolting. His film reflects the main means that individual and order , human nature and tradition conflict, it is the moulding of personage's image. In order to display concrete shape , human nature , individual character psychology of personage in order to pursue personage that Zhang Yimou mould, whom he wanted to display is a kind of person with abstractness , universality, can be said to be " some persons of kind ", And express a certain mood , a certain thought through these individual persons, thus make these personages have the second kind of identity , become a kind of behavior symbol of the load meaning. Can be divided into three kinds on the whole through personages of symbol treatment in most films of Zhang Yimou's: Women , man , the autocratic one.. Women , weak man , the autocratic one of the feudal strength of symbol with god nature nearly become a kind of " mode of artistic law " of Zhang Yimou film. These personages are not totally personages in life, not totally strange personages, submit to its cultural idea , need of the film model . The traditional film mode is to pay attention to developing the linear narration characteristic that the film is close to literature, and most unique element to film language --The image relies on the unique aesthetic result that one's own strength may be created not to pay attention to very much. So, we can replace the narration of the film easily with the literary language . At the same time he let us remember film language, red , yellow , for to have folk custom draw pure and bright and beautiful association of color main fundamental key blue three color, play up out artistic world near and far from us where savage and wild simple breath does not lack poesy of a piece of some of bringing. Vision it bring excited, with great sorrow great rejoicing of story, personage personality heavy to like heavy to is it form strong harmonious resonance to hate. And this is the reason for using film semiology and feminism for method strength analyse new folk custom. First this thesis review the process of Chinese film of folk custom briefly, then use a great deal of film theory research approaches to carrying on analysis on behalf of three plays of Zhang Yimou of China's new folk custom film style's very much afterwards,The ones that regarded one as the Chinese film and studied developed humble effort.