The Singer Altanqiqig And Her "Urtin Duu" Singing Art

By adopting the analysis methods correlative to acoustics and the related theory of ethnomusicology document research and the cultural vicissitude to set the research object in the culture background,the famous"urtin duu"singer Altanqiqig's"urtin duu"singing art was studied carefully and celebrately through the contemplation of the whole through the individual research metality,in which the document discussion,the phenomenon analysis and the cultural criticism were contained to form a body multiple angle of view .Through the description of Altanqiqig's growth ,skill path ,artistic style ,singing technique inheritance and the accumulation process ,Altanqqig's"urtin duu"singing skill accumulation ,her artistic style formation and her individual artistic experience were jointed to wholly reflect her fifty-fifty century Mongolian"urtin duu"singing art specialization—stage course process in the background of particular social cultur since the foundation of china. Three stratification planes: singing technique ,artistic style and cultural context ,were studied and discussed emphatically and celebrately .It is believed that Altanqiqig is the outstanding representative of Allah style of Mongolian"urtin duu"folk songs and also the successful practician and frontier of the stage"urtin duu"art ,new times speciality after the founding of China .she blended together the tradition and the modern age ,the nationality and Italian nationality ,"urtin duu"and Duan Diao and so on ,which is not only the inheritance of the tradition but also the transformation and the innovation of the tradition .This kind of artistic style formation is closely related to her individual intelligence ,life time study...