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The Beauty Of Sentiment And Origin About The Folk Blue And White Ming Porcelain Painting Flows And Birds

Posted on:2014-02-04Degree:MasterType:Thesis
Country:ChinaCandidate:H B ZhouFull Text:PDF
GTID:2255330401480848Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
China is the world ceramic culture and art ceramic powers, as China’s greatinvention, in English the word China and China is one of the same pronunciation andmeaning of the word, the Chinese ceramic art in the world ceramic culture in theimportant status. The development of ceramic to the Ming Dynasty, blue and whiteporcelain of Jingdezhen porcelain has become the mainstream of Jingdezhen folk kilnporcelain production, and obtained the very big development, the blue and whiteporcelain kilns in the production of exquisite products for the rich at the same time,also make the "scholar’s four jewels" as a scholar, also produced a large number ofproduction and life for ordinary people to use. With the prevalence of overseas tradein Ming Dynasty, but also the production of many satisfying western aesthetic needsof the export porcelain. All the above are having the shape of simplicity, decorativetheme style variety, features decorative techniques pen concise straightforward, free,sends out the Chinese traditional aesthetic taste rich, especially in the Ming Dynastyfolk blue and white flowers and birds, under the historical condition at that time, inaddition to its own development process in the historical trend of its achievements atthat time, apart from the literati painting paintings, picture composition andperformance techniques, coupled with the influence of traditional folk customsinfluenced by ideas and people at the bottom of the emotion, formed a kind ofdifferent from the special beauty of sentiment.In this paper, by analyzing the origin of beauty of sentiment in Ming Dynastyand the folk blue and white flower, discusses the folk blue and white flowers andbirds ceramic taste unique, then expounds the special beauty of content, and furtherelaborated from the ceramic aesthetic point of view, combined with its profoundtraditional culture meaning, aesthetic implication discusses the folk blue and white inMing Dynasty flower-and-bird ceramics, grasp the law of development of ceramicdecorative painting aesthetics and aesthetic character.
Keywords/Search Tags:Blue and White Porcelain in Civilian Kiln, Blue and white flowers andbirds, The beauty of sentiment
PDF Full Text Request
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