A Study On The Observation Styles Of The Creative Subject In Western Modern Painting

With the emergence of modern art, painting has not been confined to the planes conveying illusionism effects of three-dimensional space. First of all, the observation styles of the creation shifted from the objective and naturalism observation in Impressionism to the inside forward fixed gazing in Neo-impressionism, and then, Expressionism was in favour of the inside observation based on inner life, While Cubism stuck in reconstructing the form action in a many-sided perspective. Finally Surrealists indulged deep in personal experience. Acturally, the charges in observation styles have come to enable the expressed objects themselves to generate various implication and significance, out of which are reflected and drawn the original visual experience of artists. Seen from above, the changing forms of art have greatly broadened the customary observation horizon of artists, refreshing their previous ideas of creation. On the contrary, the changes in observation and ideas also animate and stimulate more different artistic forms to emerge in sequence. The lext intends to explore the changeable and imperceptible clue of development of observation styles in modern art, making a study of the changes in observation in different stages of history of art.