A Study On Space Frame Of Chinese Painting On Landscape In Wudai And Song Dynasty

The thesis analysed the aesthetic characteristic on space of Chinese painting in Wudai and song dynasty according to landscape specialism works of this term. The thesis aimed at several parts as follows: as two important space perceiving manner,"yi-da-guan-xiao"and"yi-xiao–guan-da",which have particular space consciousness,are dominant way in space frame of Chinese painting. As one of principle in Chinese painting,three-farness theory is incorporate method on space frame; Behaving single space artistic conception, blank is an important way to deal with space in Chinese painting. Finally, the artifice in Chinese painting of Wudai and song dynasty was concluded.By analyzing and investigation many great landscape works, the thesis focus on necessity of tradition and innovation in Chinese Painting.