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Research To The Late Ming Dynasty Blue And White Ceramic Prosperous Reasons

Posted on:2008-07-23Degree:MasterType:Thesis
Country:ChinaCandidate:R C JieFull Text:PDF
GTID:2155360218956979Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This article summarized to elaborated the reasons of the blue and white landsapceramic prosperous in late Ming dynasty from six aspects. Society's politics,economythe cultural life can leave behind the deep trace including the main stream esthetic id-eological trend and the philosophy ideological trend in art. In Ming and Qing dynasty,the intellectuail always occupies society's main position, the intellectual always is b-eing in the dominant position in the social culture life, the landscape painting alwaysis the Chinese intellectual expresses the oneself thoughts and feelings the picture toplant, the intellectuai occupies the dominant status in China feudal society's art, andhas affected other types art. The late Ming dynasty the tobacco mosaic scenery prospe-rity intellectual's influence is one of important reasons. In politics in corrupt the lateMing dynasty society, the capitalist production relations already germinated in Jingde-zhen's ceramic workshop, causes the people kiln productive forces greatly to develop.Ceramic art is the industrial art, can not leave the essential technology, "Fenshui" thetechnique appearance and the development is mature is the tobacco mosaic scenery pr-osperous technology factor. The print Huapu influence, the market sti-- mulate, main fa-ctor and so on customer personal status, landscape painting function also is theprosperous reason.
Keywords/Search Tags:Jingdezhen, The late Ming dynasty, blue and white ceramic, landscape painting, print
PDF Full Text Request
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