| blue and white landscape between late Ming and early Qing dynasty China, like Chinese traditional Chinese painting landscape, natural has made people "not less than the hall feast, take a poor nymphs" function, well serves the Chinese literati landscape hermit complex. With the great development of the ceramic industry, market demand and ceramic production have more interactive two-way choice, widely popular in the late Ming dynasty society reclusion thought must penetrate the blue and white landscape this special carrier.This paper mainly through the complex changes in reclusion thought in late Ming dynasty society’s big background, analysis of combing the development grain of blue and white landscape, and The key analysis reclusion thought in the late Ming dynasty blue and white landscape expression; According to the topic just conception of different divides into the blue and white landscape containing reclusion thought alone, visiting friends, chat, touring, reclusion story five types, and is divided into many of the five categories of expression of different ideas of reclusion details; Then from political form, economic situation, thought the effect of tide, the traditional Chinese painting, printmaking and ceramics industry own actual changes, to analyze the thought in the blue and white landscape and reclusion prevailed.Most study of late Ming dynasty blue and white landscape from blue and white landscape painting techniques of the composition, the form, artistic features, and more intuitive aspects, discusses about its connotation is only on the analysis of the background reasons slightly. This article mainly discusses reclusion thought expressed in the blue and white landscape, specifically analyzes the reclusion thought various expressions in blue and white landscape source of historical tradition, then carries on the related works appreciation, rich in the form of graphic and stereo display reclusion thought of blue and white landscape. |
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