The Late Ming Dynasty Jingdezhen Folk Blue And White Landscape Artistic Research

Blue and white ceramic culture of art is a treasure in the field of traditional arts inChina has occupied an important position. The folk blue and white art in blue and whiteceramic culture of art has always been more popular neglected until modern times, itsrich artistic value was only rediscovered in the modern sense.This paper selects a particular theme----blue and white landscape folk, folk placedunder the late Ming background of this society, in-depth analysis of the characteristicsand causes of the art landscape of the late Ming folk blue and white, and based onmodern blue and white landscape creation, emphasizing the late Ming blue and whitelandscape folk of modern art influence and significance.Late Ming Tianqi, Chongzhen dynasties for folk blue and white with arepresentative period. During this period, due to the decline of royal blue and white, folkblue and white get the absolute freedom to become the main market; landscape themealso in this period to develop and grow and become mainstream; folk blue and whitepainting style is completely out of the limitations of the past, creating a the newimpressionistic style, the overall free and easy casual, carefree dripping, no formality,epoch-making significance.Fast-paced lifestyle of modern society, so that people feel mental stress the urgentneed to be released. folk blue and white painting style and the deep of ideas inherent inthe modern world is a kind of spiritual sustenance, from which people can find a back tonature feel, and therefore folk blue and white meet the aesthetic of modern, after a longperiod of time to favor again.Modern art Including modern blue and white landscape, overly concerned aboutWestern art forms, the traditional culture urgently was supplied, therefore, theinheritance and development of the traditional folk arts, including the late Ming folkblue and white landscape, is heavy task in front of the modern people.