The Late Ming Dynasty Jingdezhen Folk Blue And White Landscape Aesthetic Research

Taking the Jingdezhen folk blue and white landscape aesthetic characteristics as theresearch object, from the subject and beauty, craft beautiful, form beauty and the beautyof artistic conception and perspective of the research on the aesthetic characteristics ofJingdezhen blue and white landscape. In a study from classical landscape paintingcreation practice and Tsinghua combination as well as field investigation method, tosolve the blue and white landscape less aesthetic perspective problems, so as to modernblue and white landscape creation form enlightenment. The article thinks, the late MingDynasty, apocalypse, Chong Zhen in two, although the decline of social unrest, Guan,Jingdezhen produced the folk blue and white was thriving, and changed the former toGuan Blue Track and imitation, forming a pure, clear, rich life breath rate Italiancharacter. Thus created is different from the kiln blue and white, and is quite differentfrom the Chinese landscape painting style, on this basis, summarized as freehandbrushwork and simple emotion to summarize two aspects of Ming Dynasty blue andwhite landscape of the aesthetic characteristics of Jingdezhen folk, and from the theme,form and artistic conception, process perspective to prove.