From Fuga To Fenggu

Poetry which as a long lyrical manner, his words said by Fadu.Greatly strengthen the sense of ethnic groups in the Han dynasty, poetry does not start to develop into an independent aesthetic art, but combined with political indoctrination, to be included in the scope of the Confucian ritual indoctrination, after Mao's extremist explanation of the politics, poetry with Confucian ethics on the color, produced Fuga Fadu of the poetry. Jian'an rise of the individual in literature, poetry only gradually developed into an aesthetic art, in a generous mood solemn atmosphere, had a"Jian'an fenggu"aesthetic paradigm, which is a U.S. Fadu. At the same time Jian'an Fenggu also demonstrated the relations of the aesthetic art and the political of a new era . In the Tang Dynasty,"Renaissance", Fuga and the Fenggu as the ever Fadu of poetry, with a"retro"warmly received in the name of the call. This article is retroactive Fuga and Fenggu of a process, and in-depth study Fuga differences associated with Fenggu and the development of both transformation process. The article by three components:Chapter I,"Fuga: the beginning and creation of Chinese poetry Fadu". The first quarter from a macro perspective on Chinese Poetry"in"or"Fadu", Poetry has its feelings of the"degree", in different historical development period produced a different type of emotional poetry. Section II of poetry as a lyric, is how to be included in the Confucian education in etiquette. Mao responded to the Han Dynasty unified the world of the spirit of the times, the《Book of Songs》was an extreme interpretation of the moral and eventually established the poetry of the Fuga Fadu. On the third quarter than as a poetry-art, both internal and includes etiquette education requirements, but also created a beautiful image of poetry, poetry has the aesthetic value.Chapter II"Fenggu: the development of individual aesthetic spirit and the Fadu of United States established". Section I outlined a unified empire after the collapse of the highlight individual consciousness, the aesthetic spirit of the wake-up call. Section II era through the political profile of the draw, concrete analysis of Jian'an three representatives of the poet Cao's poetry writing and theoretical ideas, so that we"Jian'an Fenggu", the characteristics of a comprehensive understanding of the image. Section III-depth analysis of the Fenggu as a U.S. Fadu, and the formation of the specific content, and it still has a"degree", Fenggu in the Wen-Cai was modified to get rich aesthetic.Chapter III"Retro: revive the ancient values and the establishment of a purely aesthetic values". Section I describes the Tang dynasty poetry retro background, through the"back"the call, the Tang dynasty and practical achievements of a great Renaissance. Chen Zi-ang specific section of the old road show, and his poetry writing, he was"Yazheng"his reputation goes beyond the moral scope of《Book of Songs》of Fuga, establishing a new aesthetic paradigm. Li Bai in the third quarter,《Gu Feng》59 as an example, the specific start of Li Bai's poetry writing and"retro"the association. Li Bai in the Tang Dynasty of the great Renaissance remarkable achievement, and his poetry to establish a living example of the aesthetic.In the sweep of Chinese classical culture of the 20th century, at the end of the article re-submit the importance of poem's aesthetic for the life of a nation's heart ,hope that this retrospective articles on Chinese poetry we present the aesthetic life of a useful inspiration.