The Study Of "Fenggu " In Chinese Classical Aesthetics

Moderm and contemporary studies on "Fenggu" are mostly concentrated in the Fenggu of Liu Xie’s Wen Xin Diao Long.Research and discussion of "Fenggu"mostly focus on topics such as content and form,literary style,but do not focus on the aesthetic connotation of "Fenggu".This thesis aims to analyze the aesthetic value appeal and spiritual significance of "Fenggu" to the creative subject and the acceptor from the perspective of aesthetics,and discusses the enlightenment and significance of "Fenggu" to contemporary literary creation.This article insists on historical materialism as a whole,treats the old and often new category of "Fenggu",using the traditional methods of "understanding world to understand people" and "inferring ideas through thinking" to read the literature and discovered the philosophical basis of "Fenggu" is "Qi",while "Qi" had already been an important philosophical category in the pre-Qin period.Cao Pi’s Dianlun-lunwen established "Qi" as a important position in literary theory,and Liu Xie established"Fenggu" theoretical position based on "Wenqi".Then "Fenggu" was quoted in the painting and calligraphy theory,which established its important position in the history of aesthetics.The connotation of "Fenggu" is very rich.It is not only an aesthetic category cluster,but also a classic term for human articles evaluation."Fenggu" coordinates the unity of literary language and thoughts and feelings,involves a variety of aesthetic styles,buy it’s not a certain style itself.Its essence is the further development of the theory of content and form.Analyzing the "three factors" of Franch Tyner’s "ethnicity,environment and times",it is found that the Jian’an Fenggu is closely related to the northern cultures such as Yanzhao.Then it has come to the conclusion that there is a style of writing in one place,and a "Fenggu" in a generation.Through repeated reading of "Fenggu",and comparing it with many theories,it is found that "Fenggu" contains the highest aesthetic ideals of Chinese ancient literati and has a major intersection with the aesthetic ideal of Confucianism,Buddhism and Taoism.Taoism’s "Tao" and the natural,Confucian beauty of neutrality,and the sublime realm of Buddhism have been perfectly and effectively harmonized in"Fenggu".From the point of view of receiving aesthetics,"Fenggu" pays attention to emotional appeal and language rhetoric,which fully embodies the author’s expectations of his implicit readers,and also enables readers to smoothly achieve the vision of expectations in the process of accepting the text.The reinterpretation of the culture of "Fenggu" has enabled the "Fenggu" to be continuously passed down.The value of "Fenggu" lies in both the aesthetic value of text and the practical function of social education,as well as the moral aesthetic value that transcends reality and text.Despite repeated twists and turns in the development of literature,"Fenggu" shows its value every time the mountains and waters are exhausted,and this has very important implications for our current literary reality and social reality.Therefore,as an important category in classical aesthetics,"Fenggu" also has its important practical significance for continuous development.