The Research On He Duoling's Skill-and-technique Of Oil Painting

He duoling's skill-and-technique of oil painting is one of member whom own the highest level skill-and-technique on the field of realism in contemporary China.His skill is very accurate and across-the-aboard,which combined with the multi-layer method of traditional western realism and enjoyable method of traditional Chinese painting.Meanwhile ,succeed to the classic esthetics concept,he explored the special art language form which accord with the spirit of Chinese culture in present age.this study is to research and analyze the formative reason,evolutive stage and feature of He duoling's skill-and-technique,and how important the skill-and-technique ti is in He duoling's oil painting art.The whole study composed by 5 parts:Part 1:expatiated the significance to study He duoling's skill-and-technique of oil painting,analyzed the status quo of research and explained the logic and method in this research.Part 2:ascend to the reason of forming his nowadays skill-and-techniquePart 3: analyzed the characteristics of his skill-and technique in each different art stage in time.Part 4:discussed the importance of He duoling's skill-and-technique in the position of china contempoary art of He duoling's oil painting.In the tide of globalization Chinese-oil-painting is showing its dynamism and vitality with the interaction of word multi-culture, while painters, as the subject of creating oil-painting art ,are updating their ideas and adjusting their consciousness. With the intensifying collision between old thinking-way and varied new trend of thoughts, it is a new problem in the multi-culture context that how oil-painters are engaged in art pursuit and keep pace with times, rather than passively affected by temporary fashion.He duoling's oil painting art,which is sticking to exploring on the characteristics of "craft characterization" and use the skill-and-technique as the representation for art thoughts,has handed down and developed the tradition of oil painting.