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Public Image And Contemporary Chinese Oil Painting

Posted on:2009-02-04Degree:MasterType:Thesis
Country:ChinaCandidate:W LiFull Text:PDF
GTID:2155360245953654Subject:Fine Arts
Abstract/Summary:
China's rise in popular culture after the first half of the 20th century, it is contemporary Chinese society as a remarkable cultural phenomenon. With economic reform process in the history of the market economy continues to develop, popular culture ushered in social trend, numerous commercial advertising omnipresent in the streets, newspapers, magazines, and television networks, so that no one can evade, At the same time a large number of popular books, including comic books, video and multimedia products have emerged, all of them included in the scope of the public image of the people have a tremendous impact, As the proliferation of such images, to a certain extent, changed the way people's aesthetic experience and survival, also, to a certain extent, changed the way the creative artists, artists become available resources and materials. Therefore, many artists not only in creative ways and images on the presentation has undergone enormous changes, but also in the expression of themes and concepts also has undergone tremendous changes. In such conditions, deep thinking on the public image of China's contemporary oil painting on the implications and the relationship between them, as well as its impact on oil painting the pros and cons will help us a clear understanding of contemporary art and the development of the future. Through analysis and observation of trying to study, combing the public image of contemporary Chinese oil painting effects, combined with artists cases, the specific on their creative process and how to use the public image of their public image in the creation of the impact, as a traditional Access to the media painting a new room for development. At the same time, contemporary oil painting by studying the development of the status quo, also found that public image is like a double-edged sword, to a certain extent, to bring the crisis in the arts of painting, So that part of the creative artists in the blind in the lack of the necessary humanistic concern and criticism of the position change, but also a tendency of the image Meisu phenomenon, a detailed analysis of these phenomena, We make sure the public image of the oil painting of positive significance at the same time, it should also be clear for the oil painting of the unfavorable factors, soberly aware of the contradictions of contemporary art in the former Bank of objective reality.
Keywords/Search Tags:Popular Cultur, public image, contemporary paintings, vulgarization, human value
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