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Fuse East With West, Develop One's Own Style

Posted on:2008-07-12Degree:MasterType:Thesis
Country:ChinaCandidate:H B CaoFull Text:PDF
GTID:2155360245966701Subject:Teaching theory
Abstract/Summary:PDF Full Text Request
At the first half of the 20th century, Chinese art history broke out a huge sport for studying abroad. And there appeared a group of who had great influence unprecedentdly in history. This text carries on a review and combing to this history at the angle of "female doctrine", with the methods of comprehensive, analysis and Illustration. This text studies these systematically, in order to provide some basis to evaluate their position in art history.They went abroad to learn a skill under the thought of female liberation, with unprecedented large number, wide region, broad studies haphazardly. They studied diligently, introducing Japanese painting, western art and modern art current of thought actively, and tried bravely to fuze the western painting with the east painting, concluded mang meaningful experiences. They teached in the meantime, making huge contribution to Chinese art directly or indirectly. After discussing the contribution, this text analize the speciality in art creation, that is also called "feminine consciousness ".As a independent person, they adjusted the time spirit self-movingly; then after identited their female qualities, they displayed the female makings. From then on, the female consciousness appeared on the Chinese art history, the paintress-abroad-students developed a new world for Chinese female art.With more and more attention is payed to the feminine art, the historical feminine artists are also valued by people. All the phenomenon expresses: under the appearance of independent personality, free spirit, the potentiality of female art is very huge.
Keywords/Search Tags:Abroad student, Paintress, feminine art, Feminine consciousness
PDF Full Text Request
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