Practicing With Hesitation

The thesis is threaded by my artistic practice in the past three years,and tries to analyse the effort which was made for concept and individuality.The elements I use in my works are always from such we see in our daily life as objects,events,and phenomenon.I replaced their contexts,and used a different relation to express my feelings and imaginations.In three years of practice.I was running-in my thinking pattern and artistic creation constantly through contents and forms.From concept to practice:creating works by using feelings and thinking of some object or phenomenon,then being in a artistic condition which abstracts and strengthens ideas.Thinking about the contents and forms of works:the visual expressions of contents take external forms as carriers, and the two are in an agreement.Balancing in proportions:approaching the critical point is always my practice.Interactivities between works and audiences:considering the would-be reaction of audiences,then I can adjust the details before the opening in order to reach my expectation of effects and interactivities,therefore,I could make a progress simultaneously as my works make better communications with audiences.