Comparative Analysis On The Poster Design Art Between Modern China And Japan

This article mainly narrates at the beginning of for the 20th century to the 20th century 80, the 90's China and Japan's playbill design vicissitude process. From representation Chinese and Japanese playbill design form difference obtaining, the discussion creates this kind of difference the deep level culture and the social factor. The entire article has passed through a century Chinese and Japanese playbill design history, divided into the China and Japan playbill design course the 20th century middles before and middle later two time section.Before 20th century middles, the China and Japan playbill design all occupies under the more open business environment, receives the world advanced culture and artistic influence each spontaneous display has this national characteristic and the current relevance commercial work, is in time which all flowers blooms together, hundred school of thought contends. As a result of Meiji Restoration's success, in by now designated date this commercial playbill development advancement slightly quickly in China, but on the form, both countries playbill design is at the rise stage, generally speaking is in shares half and half.After 20th century middles, China and Japan' s playbill design disparity starts obviously gradually. The 20th century 50-70 age, China' s playbill design political orientation is serious, according to the literary arts serves for politics the time mainstream, also appeared very had the intense national characteristics and the political color outstanding works, but has actually hindered the modern commercial playbill development in under this kind of seal historical environment, majority of work signifying, the generalization were serious, has brought many negative influences for the next playbill design development. Not only counter-view Japan under US's support the economical rapid development, its playbill design also had a qualitative leap in this time. In under the internationalism design concept influence, Japan' s playbill tries to find out a set of complete development system between the tradition and the modern age, not only catches up with and becomes in the world in 1980s one of pivotal design great nations. This time China just experienced reform and open policy, inrushed in a steady stream the new thought and the new culture have brought the huge impact to China' s playbill design. Because in the traditional commercial playbill culture fault, very many designers appear even more confusedly in new business environment and under the economic interest.Finally, the article creates the China and Japan disparity each aspect, including politics, the economy, aspects and so on culture, geography carries on a more comprehensive thorough comparison. Through compares ours to be able to discover that, one, in the Chinese from the very beginning modernization advancement on already fell behind Japan, caused the very many historical stage all everywhere to be restrained; Two, the region, the cultural difference creates the Chinese culture to be more difficult to melt in the world culture, but Japan's geography factor has brought more superiority, to the playbill modernization, the international path has created certain convenience; Three, the commodity market competition also gave China the designer to bring very many puzzled and the pressure, but Japan' s commercial development also was early more developed, very many designers have already taken the design one national survival method and the responsibility.In summary, this kind of disparity is not a generation of person can change, the Chinese designer should proceed in an orderly way the foothold tradition point of view by one kind to come facing the current international environment, develops the innovation by one system way, the break tradition fetter. The hope through this article to the date in the playbill design comparison, seeks one to conform to the Chinese our country culture design path.