| From this old painting homology of the topic, can see calligraphy and painting are closely related. Traditional Chinese landscape paintings from a background of Chinese painting from to occupy the major position, and this literati are inseparable, literati in political pressure, retreat, became their spiritual home landscape. Calligraphy is the literati identity is indicative, they also express feelings of a carrier.Based on the traditional landscape, base on the, green arid the ink from the landscape of the song dynasty to the development of scholar freehand brushwork'landscape painting, looking for the literati in books RuHua sides. The introduction of calligraphy and painting brushwork form of language and the continuous development of techniques and landscape, it is only in the development of ontology in the external form. Landscape from the bud and daoism thoughts have to dissect fusion and literati want to realize their ChaoYi high mental state, abandon " form " material surface, express "as the lines to meet the emotional expression. Then, with the pen calligraphy lyric techlong yat pen caocao, "wrote also useful in the creation of " deep wihin gas to create static state, XiaoShu, soft, natural landscape aesthetic conception, became the literati paintings of aesthetic orientation. Some Chinese literati painting landscapes become the mainstream, due to various reasons, the literati paintings in the qing dynasty began to decline.As the western modern art thoughts into the development of Chinese landscape painting, brings great impact, also brought many new opportunities. Light color and form of research and absorption, Duijing sketch, various material and skin texture of modern landscape to etc, presents a colorful and flourishing of weather. But with the traditional literati landscape in the mainstream of Chinese calligraphy is showing its landscape tenacious vitality and the unique artistic charm, but also to carry on. landscape painter of traditional essence.
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