The Research Of Characters About Landscape Composition Of "Blue And White"in Folk Kiln On Late Ming Dynasty

The spatial relationship created from composition on blue and white landscape painting of folk kiln at the end of ming dynasty, like landscape painting of official kiln, is covering the rule of composition of Chinese traditional landscape painting. This article came out with "S-type rhythms", "possession of opening and closing of dew", "criss-cross", "three sections of distance", "stack segment", "close range" and "Vision" and other techniques which are well used in landscape composition of folk kiln, the well combination of landscape painting,poetry, calligraphy and painting, edging and other embellishment and so on to make the screen more extensive.This article also deeply researched and explored the elements of the composition—point, line, surface, color and other contents. It created the artistic conception of freedom and happiness, reflected the implicit representation of social reality.This article also analysised the performance style of folk blue and white landscape,which is influced by individual liberation and the increasing demand at home and abroad. The purpose of the article is to draw the inspiration from the folk blue and white landscape ,in order to create more folk ceramic arts,which accords with the aesthetic taste.