This study from the localization of music clubs (including the localization) or theperspective of modern such changes, the two different forms of music performancethrough the case analysis of community discovery and interpretation in the context ofChina’s grass-roots music corporate survival, and the cultural identity as well as theimpact of cultural and political factors, and the construction and development of themusic society put forward feasible Suggestions.The music is the music form of multivariate, but music does not represent musicvalue diversity. The development of Chinese rock and roll music is still in exploringstage of development, we also need a refining stage on music culture. From the Angleof the cross, has carried on the review to the black rock band, the band based on xi ’anlocal the local culture and western rock and roll music, as a result, the dual hybrididentity, it is also a global identity. From the perspective of music creation, thetraditional elements of the collection is on the other hand, what is more important fortraditional understanding and how to use the traditional elements. No matter whattype of music, the ultimate purpose is to is to make the listener feel some languagecannot express the spiritual connotation of convey.The development of China’s original musical in China, the symptoms of a lot of"water". But is up: first, China’s musical, unclear orientation of the musiccharacteristics of the central west, local features is not prominent; Second musicalactor can’t do "three would" standards; In music of musical works, also lacks thedetails; Musical on promotion, not a very good platform. These three aspects led tothe original Chinese musical "adverse" produced in China. Maybe China’s originalmusical can learn from China’s rock and roll, find a suitable for carrying his ownmother. |