Carnival Narration In The Perspective Of Dostoevsky 's Religious Culture

Tuo Dostoevsky is a very famous and representative writer, his works and ideas to the great shock caused by the contemporary world literature, but the researchers combed Dostoevsky, we can find the discussion of further research on the lack of religious culture, most researchers ignored the religious background of Dostoevsky in practice in the text. The author hopes that through the method of textual criticism, to examine top think Carnival narrative theory in the creation of Tuo Dostoevsky is the most representative of the Russian Orthodox Church in the cultural context, so as to find out their mutual influence.From tenth Century "the baptism of Ross", the Russian religious culture began to unity. In Western Europe, the Christian experienced a Renaissance and Enlightenment baptism into the mature period, Russia did not change, but preserved the cultural features of the early Christian church. Top think Tuo Dostoevsky living environment is such, his chief instructor is come very naturally formed. Dostoevsky’s religious ideas is a Russian Orthodox as the foundation stone, with its unique life experience as the materials of construction of Which contains both the acceptance of Christianity main doctrine, also includes the dialectical understanding of God held, thinking of theodicy, immanent divinity in man sure (of people) on the utopian ideal, all these constitute the restricting factors of Dostoevsky’s literary world.The author focuses on Dostoevsky’s creation, discuss the relationship between Narration of his works and the Russian Orthodox culture, narration or in other words, Dostoevsky’s the religious background and soil.Introduction:research data comprehensively Dostoevsky, on the basis of sorting out the research results has extensive influence, these factors may be neglected; the influence of religious culture background, think to top Tuo Dostoevsky and Carnival narration. The reason why we see so rich, so mutation psychological vivid and struggle of literary works, are derived from the Tuo Dostoevsky in-depth understanding and different interpretation of religion.The first chapter:this chapter focuses on the influence of religious culture Dostoevsky’s life and creation on the top, so that it can create a " people person " this special idea. Religion has a very special status in russia. Every Russian soul religious plot is indelible, in Dostoevsky’s mind, knowledge of the sin, to the suffering of the understanding, on the road to salvation pursuit, reflects his deep religious thought and " people person " this idea generation.The second chapter:Dostoyevsky’s literary creation has a great feature -- Carnival narration, the creation of Dostoevsky’s works in almost all. The focus of this chapter: the narration of Tuo Dostoevsky works has, Carnival narrative in his literary world out of shape, and draw lessons from Bakhtin’s theory of reading from the text, and to explore the Russian national characteristic of religious thinking about the pain of text form is how to reflect the.The third chapter:focus on the mutual influence between the mining construction of religious and Cultural Carnival and Dostoevsky, and in the text of the top think Tuo Dostoevsky wants to convey to the people to achieve " the ultimate ideal of" road. Between text and Dostoevsky’s ideal of Dostoevsky’s religious and have all kinds of connections with contact, and Dostoevsky created "the ultimate goal of the highest reality".