The Psychological Characteristics Of Contemporary Hani People 's Folk Dance And Its Application In Dance Teaching

Hani people are an ethnic of South Yunnan who has a long history and thesplendid civilization,“where are the high mountains, where there will be the terracesside by side” included rich national culture, reflected Hani people’s requirement of thetangible culture of existence and life, and of the mental culture. With the colorfultraditional culture and being an important part, the folk dancing of Hani peoplegradually accumulated the deep and long history culture, manifested the uniqueculture characteristic of Honghe Hani Rice Terraces, and reflected the nationaltotemism and the interest of the esthetic appreciation. As its spiritual sustenance andemotional performance of original desire of existence and development, the folkdancing of Hani people not only keeps close links with Hani people’s life andproduction, but also is the important expressional form of Hani’s sacrificialceremonies, blessing, and confession of love. Therefore, the dancing of sacrificialceremonies and bionic are two principal forms of the folk dancing of Hani people, andthe pious as well as admired sentiment of dancer is surrounded by sacrificialceremonies and totem imitation. However, with the time flies and the development ofthe civilization, especially since the establishment of People’s Republic of China. Inthis special transition period, pluralistic society and the change of environment madea shock and had influences on the traditional dancing culture. Thus, the ethnicintrinsic psychological characteristic of traditional dancing has been changed, andrepresented the dancing psychological characteristic which is given by the times andthe requirement of the esthetic appreciation, explained the natural phenomenon andthe developing regular of contemporary folk dancing culture of Hani people.The establishment of the folk dancing of Hani people’s textbook is an importantway to protect and inherit traditional dancing of Hani people, the form characteristic,rhythm style, dancing sentiment and emotion of Hani folk original dancingdetermined the establishment and the training value of Hani people’s folk dancingtextbook. By merging the psychological characteristic of Hani people’s folk dancing with the creation of textbook, reflected the esthetic sense and emotional requirementof the contemporary folk dancing of Hani people.This thesis includes these parts: Introduction, four Chapters, and Conclusion.Introduction expounds the reason and meaning of writing, the research angle andresearch status of this article. First Chapter defines:“the psychological characteristicof Hani people’s folk dancing”. Second Chapter classifies the developmentphenomenon which is represented by contemporary folk dancing of Hani people, andthe psychological feature of dancing. Third Chapter: the psychological feature ofdancing which is represented by contemporary folk dancing of Hani people has beenread, an example of Hani people’s folk dancing of Luchun County. Fourth Chapterdiscusses the psychological characteristic of Hani people’s folk dancing and theeducation and teaching of Hani’s folk dancing include the connection, the applicationand the importance which are built by the psychological characteristic of dancing andthe textbook. Conclusion recap and sum up the whole article.